A Silent Fury

Booksellers on A Silent Fury

‘A plaque. A press release. A mislabeled photograph. Like a paleontologist drawing a beast from a jawbone, Herrera tells a story of greed, imperialism, and complicity from a few fragments of information. The El Bordo Mine Fire is just one almost forgotten tragedy but, like Rukeyser’s Book of the Dead, the bright, poetic light Herrera shines on it with A Silent Fury, casting a shadow on our biggest questions.’ Josh Cook, Porter Square Books

‘Yuri Herrera’s slim and devastating A Silent Fury documents the mining tragedy in Pachuca in 1920 and the government and mining company’s attempts to cover up the deaths. There is no more relevant time to read about workers’ fights for safety and justice in their workplace.’ Tom Flynn, Pilsen Community Books

‘Silence pervades this short book; that of the historical record; that of the the U.S. corporation that owned the mine; that of the survivors; and that of the dead. Herrera is haunted by the silence of the El Bordo mine fire,100 years after 87 miners died, and seeks to record the whispers of ghosts. In this, he is only partly successful, but by attempting to give voice to the silenced, hope is given breath.’ Chapter Books

‘Yuri Herrera explores the history of century-old mine disaster in a small Mexican town. Due to the owner’s influence, the historical record is dubious. Herrera’s investigation raises important questions about how the callousness of the powerful can ensure that a callous history is all that survives them.’ Keith Mosman, Powell’s Books

‘Herrera gives voice to the story untold, to clarifying, devastating effect.’ Molly Moore, Book People

‘A Silent Fury is an astonishing piece of journalism. The story is about the El Bordo mine fire in Pachuca, Mexico, and how, when capital comes before workers, lives are too often lost, and justice too long unserved. My favorite book from Herrera yet, and that is an incredibly high bar to reach.’ Matt Keliher, Subtext

‘An astonishing combination of history, cultural anthropology, and journalism that sheds light on a previously forgotten mining disaster … and a good example of why we need more translated nonfiction.’ Lesley Rains, City of Asylum Bookstore

‘Like Life of a Klansman, Herrera’s book is a microhistory inspired by an absence in the archives. But where Ball enriches the record with context and speculation, Herrera conducts a crisp, matter-of-fact investigation. In quietly seething prose—ably translated by Lisa Dillman—he parses the evasive accounts of contemporary journalists, judges, mine administrators, and civil authorities, noting the implications of each elision and discrepancy. By the end, the “accident” looks more like homicide, a crime quickly covered up by local officials and company bureaucrats who barely saw their workers as human … The book is a gripping demonstration of how much can be unearthed from the omissions of official accounts.’

Yuri Herrera studied Politics in Mexico, Creative Writing in El Paso and took his PhD in literature at Berkeley. His first novel to appear in English, Signs Preceding the End of the World, won the 2016 Best Translated Book Award after publishing to great critical acclaim in 2015, when it featured on many Best-of-Year lists, including The Guardian’s Best Fiction and NBC News’s Ten Great Latino Books. His second novel The Transmigration of Bodies (2016 in English) and Kingdom Cons (2017 in English) were also published to acclaim, including the Dublin Literary Award (former Impac prize) shortlisting of The Transmigration of Bodies. He currently teaches at the University of Tulane, in New Orleans. The El Bordo Mine Fire is his fourth book, and his first of non-fiction.

Lisa Dillman has translated a number of Spanish and Latin American writers. Some of her recent translations include Rain Over Madrid, Such Small Hands and The Right Intention by Andrés Barba and Yuri Herrera’s three novels. She won the 2016 Best Translated Book Award for Herrera’s Signs Preceding the End of the World. She teaches in the Department of Spanish and Portuguese at Emory University in Atlanta, Georgia.

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