
The Merry Wives of Windsor
the new oxford shakespeare
$16.67
- Paperback
176 pages
- Release Date
16 July 2025
Summary
‘Here will be an old abusing of God’s patience and the King’s English.’
The Merry Wives of Windsor is the only Shakespeare play named entirely after female characters and his only comedy set in England. These features underscore some of its most immediately appealing qualities – its contemporary realism; its depiction of everyday life; its interest in status and gender; and the language and physicality of its comedy.
This edition’s introduction focuses on these elemen…
Book Details
| ISBN-13: | 9780192873576 |
|---|---|
| ISBN-10: | 0192873571 |
| Author: | William Shakespeare, Callan Davies, Sarah Neville, Emma Smith |
| Publisher: | Oxford University Press |
| Imprint: | Oxford University Press |
| Format: | Paperback |
| Number of Pages: | 176 |
| Release Date: | 16 July 2025 |
| Weight: | 136g |
| Dimensions: | 197mm x 129mm x 11mm |
| Series: | Oxford World's Classics |
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About The Author
William Shakespeare
Callan Davies is a Lecturer in Seventeenth-Century Drama at the University of Southampton, working across early modern literary, cultural, and theatre history. He has been part of three UKRI-funded projects and has taught at several UK universities and as a Globe Education Lecturer at Shakespeare’s Globe. He has published a study of the early modern entertainment industry, What is a Playhouse? England at Play, 1520-1620 (2022), and also widely on sixteenth- and seventeenth-century culture. His work also includes an award-winning essay on bowling alleys in sixteenth-century London, an article exploring female playhouse ownership and cultural activity in Bristol, a study of Shakespearean bears and bear-keepers, and a book on Jacobean “strangeness” and drama.
Sarah Neville is an Associate Professor of English at the Ohio State University with a courtesy appointment in Theatre, Film, and Media Arts. She specializes in early modern English literature, bibliography, theories of textuality, and performance, chiefly examining the ways that authority is negotiated in print, digital, and live media. She is an assistant editor of the New Oxford Shakespeare (2016-17), for which she edited five plays in both old and modern-spelling editions, as well as an associate coordinating editor of the Digital Renaissance Editions.
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