Annihilation 2099

Steve Orlando made a name for himself at DC Comics, writing Wonder Woman, various Batman titles and Martian Manhunter. His Midnighter series and its sequel Midnighter and Apollo were nominated for a GLAAD Media Award. Orlando arrived at Marvel to celebrate a legendary character’s 50th anniversary across three Curse of the Man-Thing one-shots. Orlando contributed to Marvel’s Voices- Pride and returned to the intersection of super-heroics and horror with the Darkhold storyline.

Dale Eaglesham started out penciling series peripheral to the mainstream Marvel Universe- Guardians of the Galaxy, Savage Sword of Conan, What If? and others. When he moved to DC, his artwork appeared in Justice Society of America and spinoff miniseries Thy Kingdom Come, and multiple Batman titles - including Detective Comics, Gotham Knights, Legends of the Dark Knight and Shadow of the Bat. He returned to Marvel to illustrate Jonathan Hickman’s Fantastic Four, Captain America in the Steve Rogers- Super-Soldier miniseries and the complete run of the relaunched Alpha Flight. Elsewhere, he has penciled Eternal Warrior at Acclaim, Sigil at CrossGen and the Creep feature in Dark Horse Presents.

Ibraim Roberson is an up-and-coming Brazilian artist who has worked on Avengers/X-Men- Utopia and New Mutants for Marvel. He has also illustrated author Max Brooks’ The Zombie Survival Guide- Recorded Attacks.

Pete Woods got his start as an intern at WildStorm Productions and went on to illustrate such WildStorm titles as StormWatch, Wetworks and Backlash. Moving to Marvel, he drew issues of Excalibur before joining writer Joe Kelly on Deadpool. At DC, he penciled a four-year run on Robin, later working on Action Comics with writers Geoff Johns and Paul Cornell, and the miniseries Superman- Last Stand of New Krypton with cowriters James Robinson and Sterling Gates.

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