The Baby on the Fire Escape

What does a great artist who is also a mother look like? What does it mean to create, not in "a room of one's own," but in a domestic space? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge.

With fierce empathy, Phillips evokes the intimate and varied struggles of brilliant artists and writers of the twentieth century. Ursula K. Le Guin found productive stability in family life, and Audre Lorde's queer, polyamorous union allowed her to raise children on her own terms. Susan Sontag became a mother at nineteen, Angela Carter at forty-three. These mothers had one child, or five, or seven. They worked in a studio, in the kitchen, in the car, on the bed, at a desk, with a baby carrier beside them. They faced judgement for pursuing their creative work-Doris Lessing was said to have abandoned her children, and Alice Neel's in-laws falsely claimed that she once, to finish a painting, left her baby on the fire escape of her New York apartment.

As she threads together vivid portraits of these pathbreaking women, Phillips argues that creative motherhood is a question of keeping the baby on that apocryphal fire escape: work and care held in a constantly renegotiated, provisional, productive tension. A meditation on maternal identity and artistic greatness, The Baby on the Fire Escape illuminates some of the most pressing conflicts in contemporary life.

“"Wonderful.... Investigating motherhood as lived by an inspiring group of twentieth-century writers and artists, The Baby on the Fire Escape refutes all received ideas about creativity and absolute solitude. Julie Phillips examines the lives and work of artists from Gwendolyn Brooks to Louise Bourgeois, from Shirley Jackson to Susan Sontag, who refused to choose between intellectual rigor and motherhood, and finds it's the courage to claim their own centrality that defines them as artists."”

"For Phillips, the lives she wants to depict are not accounts of maternal self-sacrifice and denial, but instead, narratives that portray the mother as a hero." -- Frieda Klotz - Sunday Independent
"The Baby on the Fire Escape looks at the extreme ways some female artists have overcome the restraints of parenthood… The book’s strength lies in Phillips’s nimble talents as a portraitist." -- Lucy Scholes - The Sunday Telegraph
"Does motherhood prevent women from having an active creative life, or enhance it? Do babies need to be out of mind as well as out of sight for creative work to be done? […] Julie Phillips has written a spirited and thoughtful account of a handful of figures from mid-20th-century Britain and America who have grappled with these dilemmas." -- Lara Feigel - RA Magazine
"The opening section on Alice Neel is a searing account of the complexities of balancing (or not) being a mother and an artist—and the often heavy price women pay… [The Baby on the Fire Escape] explores the difficult issues around the subject with no judgment and or neat conclusions—and is all the richer for it." -- José da Silva - The Art Newspaper
"A brilliant, vital text" -- Rhiannon Lucy Cosslett, author of The Year of the Cat

Julie Phillips is the National Book Critics Circle Award–winning author of James Tiptree, Jr.: The Double Life of Alice B. Sheldon. The recipient of a Whiting Creative Nonfiction grant, she lives in Amsterdam with her partner and their two children.

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