Monolithic Undertow

An inspired and intuitive navigation of the drone continuum, MONOLITHIC UNDERTOW maps the heavy underground with a compass firmly set to new and enlightening psychedelic truths – BECKThis is a masterpiece, heavy, fun, mad, wild, inspiring, mind-blowing, massively deep though never precious, so many tangents somehow brought together with clarity and vision, love the idea of a left-hand path history, and the connections between the beginnings of the universe, ritual music and modern electronic rock is jaw-dropping. I love it, this is the music book of the year and the ultimate book on the sound of the eternal now. This is going to drop like a true fucking monolith from the skies. – DAVID KEENANEvery now and then a book comes out that redefines a form, creates the narrative and is a startling jolt to the culture fabric … [MONOLITHIC UNDERTOW] is thrilling, inspiring, informative and makes you jump all over the internet looking for the soundtrack. The book is a game changer and you will never listen to music in the same way again – John Robb * LOUDER THAN WAR *Sword is a deeply knowledgeable and perceptive advocate for a vast range of often esoteric, sometimes challenging, always extraordinary music * Quietus *Monolithic Undertow searches for our relationship to drone music: an epic playlist that begins in the womb, then criss-crosses an exhaustive thread across the lo-fi Verdantic cassettes of Alice Coltrne, the ‘true British blues’ of Black Sabbath, infrasonic weaponry and the gritty doom-clouds of The Velvet Underground – ART REVIEWAddictive … Sword’s is an impressively global ear * IRISH TIMES *Verbose and effusive when assessing recordings, Monolithic Undertow’s scope is large enough that any reader will likely discover something * BUZZ *

Harry Sword is a Cambridge based writer. He is a contributer to The Quietus, Vice, Record Collector, Munchies and the Guardian. Monolithic Undertow is his first book.

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