The Pull of the Stars

A visceral, harrowing, and revelatory vision of life, death, and love in a time of pandemic. This novel is stunning – Emily St. John Mandel, author of Station Eleven
Extraordinarily prescient * The Daily Telegraph *
The Pull of the Stars has a fever dream-like quality … about as moving and absorbing as it gets * The Evening Standard *
An immersive, unforgettable fever-dream of a novel * The Times *
A timely, exquisite and unputdownable reminder of love and compassion – Rachel Joyce, author of The Unlikely Pilgrimage of Harold Fry
A story that is as timeless as it is urgent * The New York Times *
Fascinating and resonant * The Sunday Times *
Emma Donoghue is one of our greatest living prose stylists … a must-read novel * The Australian *
Emma Donoghue’s best novel since Room * Metro *
Eerily topical, Donoghue’s new novel reads like an episode of Call The Midwife set during a pandemic * Mail on Sunday *
Moving, gripping and dazzlingly written * Stylist *
It is rare for such a fast-paced story to be told so beautifully, and the writing is comical & exquisite * Irish Independent *
Moving and memorable * Daily Mail *
As strong and compelling as Jack in Room and Lib in The Wonder … a haunting and finely balanced literary novel – Sarah Moss * The Guardian *
One of the Emerald Isle’s most glittering literary lights, Donoghue here delivers a historical fiction turned timely reminder of human resilience – Oprah Magazine, ‘Best Books of Summer 2020’
Enticingly written … a felicitous comment on our new times * The Irish Times *
Remarkably prescient * Irish Independent *
Rarely can a novel have been as prescient or as timely as The Pull of the Stars … the book flies by like a hospital shift, as drama follows crisis and victory chases tragedy in a never-ending cycle of suffering, joy and bodily fluids * Business Post *
Certainly, the currency of The Pull of the Stars gives it a gripping edge, but at its heart this is a story about friendship, love and compassion in extraordinary times … It’s an engrossing read. Donoghue’s writing is visceral and her female characters strike a powerful chord of humanity that stays with you * Australian Women’s Weekly *
Donoghue offers vivid characters and a gripping portrait of a world beset by a pandemic and political uncertainty. A fascinating read in these difficult times * Booklist *
Donoghue’s searing tale … Her blunt prose and detailed, painstakingly researched medical descriptions do full justice to the reality of the pandemic and the poverty that helps fuel it. Donoghue’s evocation of the 1918 flu, and the valor it demands of health-care workers, will stay with readers * Publishers Weekly *
[Julia and Bridie’s] relationship forms the emotional core of a story rich in swift, assured sketches of achingly human characters coping as best they can in extreme circumstances … Darkly compelling, illuminated by the light of compassion and tenderness: Donoghue’s best novel since Room * Kirkus (starred review) *
Eerily reminiscent of our current global health crisis, The Pull of the Stars brings readers intimately close to a world where health care workers risk it all to keep their patients alive * Time *
Timely, punchy and gripping * The Evening Standard *
A powerful, persistent, highly detailed and incredibly moving book that speaks through time. Donoghue is a marvel of a writer * Press Association *
Emma Donoghue has a gift for taking details from the past and creating believable and absorbing worlds around them * The Tablet *
Gripping … fans of Call The Midwife will relish the true-to-life accounts of labour * S Magazine *
Although compassion, female solidarity and dedicated service are at the novel’s core, suffering and terrible conditions are front and centre … Donoghue [excels] in strong characterisation and a vivid sense of time and place * The Herald *

Born in Dublin in 1969, Emma Donoghue is an Irish emigrant twice over: she spent eight years in Cambridge, England, before moving to Canada’s London, Ontario. She is best known for her novels, which range from the historical (The Wonder, Slammerkin, Life Mask, The Sealed Letter) to the contemporary (Akin, Stir-Fry, Hood, Landing). Her international bestseller Room was a New York Times Best Book of 2010 and was a finalist for the Man Booker, Commonwealth, and Orange Prizes; her screen adaptation, directed by Lenny Abrahamson, was nominated for four Academy Awards.

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