Hardcover
Britart’s shocking rise, explosive impact, and enduring legacy, revealed at last.

Artrage!: The Inside Story of the Britart Revolution

The Story of the BritArt Revolution

$52.77

  • Hardcover

    272 pages

  • Release Date

    1 April 2016

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Summary

The Young British Artists (YBAs) stormed on to the contemporary art scene in 1988 with their attention-grabbing, ironic art. They exploded art-world conventions with brazen disdain. Dismissed as trivial gimmickry and praised for its witty energy, their art made a mark both on the art scene and on public consciousness that continues to reverberate today.

Now, almost three decades after they emerged, Artrage! tells the story of the YBAs with the benefit of perspective, chronicling the g…

Book Details

ISBN-13:9780500239445
ISBN-10:0500239444
Author:Elizabeth Fullerton
Publisher:Thames & Hudson
Imprint:Thames & Hudson Ltd
Format:Hardcover
Number of Pages:272
Release Date:1 April 2016
Weight:1.07kg
Dimensions:32mm x 189mm x 243mm
A-Format
B-Format
C-Format
Artrage!: The Inside Story of the Britart Revolution by Elizabeth Fullerton - ISBN: 9780500239445
189 × 243 mm
A4
mm / in
What They're Saying

Critics Review

‘An excellent primer on the rise and fall, successes and failures of a moment in British art. It catches the brio of the people involved, charts the connections that they forged; the friendships, the fall-outs, the partner swapping … and celebrates the art they created’ - The Herald ‘Back in the early 1990s, the British art world changed forever thanks to a band of bright young things who weren’t afraid of controversy …‘Artrage!’ details that blistering scene and looks at its place today’ - It’s Nice That ‘Well-illustrated, studiously researched’ - Daily Telegraph

About The Author

Elizabeth Fullerton

Elizabeth Fullerton is an art historian with over 20 years experience as a journalist writing on art, culture, news and politics in Europe, the Middle East and Central America. Her articles have appeared in many international publications, including the Financial Times, the Independent, the Washington Post, the Sydney Herald and ARTnews.

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