Antigone’s Tomb / La tumba de Antígona
by María Zambrano
$382.46
- Hardcover
144 pages
- Release Date
2 September 2025
Summary
The philosopher María Zambrano grants Antigone a compelling new voice in her reimagining of Sophocles’ tragedy, which she described as ‘something quite different that hasn’t occurred to anyone’. Written in 1967 from exile, La tumba de Antígona is Zambrano’s only play and retells Antigone’s story through the prism of the Spanish Civil War. This dramatized ‘talking cure’ evokes the eponymous hero’s experience of solitude, delirium, and passion within the marginal space of her tomb, casting her as the messenger of consciousness for the second half of the twentieth century. Recent studies place Zambrano in the visionary company of women with questing minds such as Hannah Arendt, Simone Weil, and her close contemporary, the Spanish writer Rosa Chacel, whose lives were complicated by fascist conflicts that impelled them to travel across Europe and to the Americas in search of refuge. Placing emphasis on the play as a text for performance, this first English translation (including the author’s prologue and a critical introduction) aims to extend interest in this trailblazing reworking of classical myth by this acclaimed Spanish woman writer and encourage further connections within exile and Antigone scholarship.
Book Details
| ISBN-13: | 9781836244684 |
|---|---|
| ISBN-10: | 1836244681 |
| Author: | Clare Nimmo |
| Publisher: | Liverpool University Press |
| Imprint: | Liverpool University Press |
| Format: | Hardcover |
| Number of Pages: | 144 |
| Release Date: | 2 September 2025 |
| Dimensions: | 163mm x 239mm |
| Series: | Aris & Phillips Hispanic Classics |

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Critics Review
‘Antigone’s Tomb is a major contribution to the bibliography of Zambrano in English that complements the seminal work realized by Roberta Johnson and Carol Maier. It is an indispensable resource for students interested in Zambrano’s philosophy and poetics within the wider landscape of European intellectual history, as well as a creative challenge for those involved in the field of the performing arts. An English translation was long overdue.’ Xon De Ros, Modern Language Review
Clare Nimmo
Clare Nimmo is a Professional Translator and Associate Professor at the Universidad Pontificia Comillas de Madrid, previously holding posts at the University of Manchester and University of Durham.
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