Widowland

Clever and steeped in historical insight * The Times, book of the month *For fans of dystopian stories (think Margaret Atwood and Naomi Alderman) this one’s a must-read * Cosmopolitan *Revelatory page-turning reading * Observer *Powerfully imagined * Sunday Times *A richly imagined treat * Independent *Scary, pacy and packed with period detail, Widowland is a smart, inventive imagining of what might have been * Daily Mail *An absorbing, Orwellian dystopia that makes a good case for the subversive power of literature * Guardian *Austere and low-key, Widowland succeeds when it comes to evoking the drab atmosphere of an occupied nation * Financial Times * Hugely atmospheric, rich in the way it evokes an austerity Britain that’s both familiar and, because of the possibility of a grim fate for saying or doing the wrong thing, chilling * SFX *Carey’s meticulously-constructed alternative Britain in the 1950s is a huge imaginative feat * Independent *Chilling and challenging in equal measure * Woman & Home *

A “what if?” dystopian novel which will send shivers down your spine

* Red *A heady mixture: part romantic thriller, partly a book about the power of literature, an alternative history and, overall, a chilling piece of dystopian fiction * SHOTS *The power of words is at the heart of this terrific and sometimes terrifying novel * Sci Fi Bulletin *Astonishing * Perspective *Widowland is a cut above the rest – Sam Baker * Noon Bookclub *Reading this terrific, Orwellian novel you almost hold your breath, so vivid is Carey’s evocation of a dystopia which (you reflect) was surely just a hairsbreadth away. The engaging heroine, vivid scenario and enthralling plot are underpinned by a serious political sensibility - one which turns an accomplished thriller into a warning. – Bel MooneyWidowland is a triumph. One of the best counter-factual dystopias ever written about what a Nazi Britain might be like, it not only equals Fatherland and The Handmaid’s Tale but, by placing literary heroines at its heart, supersedes them. As witty as it is withering, as thrilling as it is consummately imagined, this deserves to be the bestseller of 2021 – Amanda CraigA brilliantly convincing and gripping dystopian vision. Fantastically detailed and assured, I read it with huge admiration for having pulled off such a terrific novel – Elizabeth BuchanClever, gripping and brilliantly imagined - a brave, bookish heroine takes on the forces of a chillingly convincing post-war dystopia – Clare ChambersWidowland is a very smart reimagined history executed with plenty of wit, energy and originality plus there’s a rather subtle message for today. Excellent! – Henry PorterWidowland is a fully-realised 1950s dystopia brimming with crackling detail, a gripping thriller and, at a moment when we’re having to face our own Imperial past, a slyly vivid account of living under a colonial power – Miranda CarterA terrifying, vividly imagined story of a Nazi Britain that might have been. Tense, utterly convincing and, in the end, very moving – Nicci FrenchWidowland is not just a page-turning thriller and masterful work of suspense. This book is also the most important feminist novel to be published in decades because it speaks as much about contemporary tyranny and misogyny as it does about the re-imagined past that Carey has so skilfully created – Jane HarrisAll Jane Thynne fans should read her alter ego C J Carey whose Widowland is fabulous! A very stylish and exciting counterfactual set around the coronation of Edward VIII and Mrs Simpson. Hitler is still alive and in charge. Rose is a terrific heroine – Adèle GerasI am in awe at the author’s imagination, her ability to conjure and so cleverly convey an entire world - it manages to feel both chillingly dystopian and utterly realistic. I love the details of the office, and Rose’s flat, and her bus rides, but most of all I loved the description of the Oxford Widowlands, and the women who inhabit it - Viva the Friedas! – Sabine DurrantI raced through Widowland and absolutely loved it. C J Carey plays with history and makes brilliant points about literature and feminism. Her amazing knowledge of Nazi ideology makes the story disturbingly relevant to the present day. – Kate Saunders