Vermeer's Family Secrets
Genius, Discovery, and the Unknown Apprentice
- Paperback
472 pages
- Release Date
29 September 2015
Summary
Johannes Vermeer, one of the greatest Dutch painters and for some the single greatest painter of all, produced a remarkably small corpus of work. In Vermeer’s Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeer’s work and life. Vermeer, The Sphinx of Delft, is famously a mystery in art: despite the common claim that little is known of his biography, there is actually an abundance of fascinating information about Vermeer’s life that Binstock brings …
Book Details
| ISBN-13: | 9780415861335 |
|---|---|
| ISBN-10: | 0415861330 |
| Author: | Benjamin Binstock |
| Publisher: | Taylor & Francis Ltd |
| Imprint: | Routledge |
| Format: | Paperback |
| Number of Pages: | 472 |
| Release Date: | 29 September 2015 |
| Weight: | 900g |
| Dimensions: | 254mm x 178mm |
You Can Find This Book In
What They're Saying
Critics Review
“Binstock resembles the detective Hercule Poirot in his methodical disentangling of the historical Vermeer from the accretion of too generous attributions and from the multiplicity of critical views, all directed to the uncovering of the artist whose autobiographical immersion in Delft, in home, and in family so fully constituted his art.“—Richard Brilliant, Columbia University, author of Portraiture and My Laocoön: Alternative Claims in the Interpretation of Artworks
“Impassioned and fascinating, this novel account of the intimate links between Vermeer’s art and life bristles with intelligence. It offers not only sympathetic and imaginative readings of the paintings, but questions some basic assumptions in art history. Anyone interested in Vermeer will be struck by Binstock’s audacity, erudition, and deep love of art.“—Martha Hollander, Hofstra University, author of An Entrance for the Eyes: Space and Meaning in Seventeenth-Century Dutch Art
”Vermeer’s Family Secrets is a highly original and searching account of one of the most elusive of painters. Written with delightful verve, visual subtlety, and the courage to upend the platitudes and received wisdom of certain forms of art history, Binstock’s book promises a revolution in the study of Vermeer, his circule, and his milieu.“—Jonathan Gilmore, Yale University, author of The Life of a Style: Beginnings and Endings in the Narrative of Art History
“This book offers strong, informed opinions, bold claims, and precise chronology about one of art history’s favorite painters. While Binstock’s forceful arguments are sure to be controversial, they will inevitably provoke fresh scholarly discussion and rekindle close examination of Vermeer’s luminous pictures (and those of Carel Fabritius).“—Larry Silver, University of Pennsylvania, author of Hieronymus Bosch and Rembrandt’s Faith (co-authored with Shelley Perlove)
About The Author
Benjamin Binstock
Benjamin Binstock earned his Ph.D. in Art History at Columbia University, after study in Aix-en-Provence, Berkeley, Berlin, and Amsterdam. He was a visiting member of the Institute for Advanced Studies at Princeton and the American Academy of Berlin, and has taught at Columbia, New York University, CUNY, and presently at Cooper Union in downtown Manhattan.
Returns
This item is eligible for free returns within 30 days of delivery. See our returns policy for further details.