Rachel Kneebone, 9781910221013
Hardcover
Rachel Kneebone (born 1973, Oxfordshire) is a London-based artist internationally renowned for her porcelain sculptures that intricately fuse human, natural and abstract forms to explore universal themes such as sexual desire, mortality, anguish and despair.

Rachel Kneebone

Regarding Rodin

$79.56

  • Hardcover

    88 pages

  • Release Date

    21 August 2014

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Summary

Rachel Kneebone (born 1973, Oxfordshire) is a London-based artist internationally renowned for her porcelain sculptures that intricately fuse human, natural, and abstract forms in ways that are simultaneously serene and cacophonous, beautiful yet grotesque, otherworldly yet full of humanity. Exploring themes such as sexual desire, mortality, anguish, and despair, Kneebone’s sculptures are contemporary visions of eternal truths, conveyed with endless imagination and impressive artistry in equa…

Book Details

ISBN-13:9781910221013
ISBN-10:1910221015
Author:Ali Smith, Stephen White, John Lowe
Publisher:Anomie Publishing
Imprint:Anomie Publishing
Format:Hardcover
Number of Pages:88
Release Date:21 August 2014
Weight:424g
Dimensions:170mm x 235mm
About The Author

Ali Smith

Ali Smith was born in Inverness and lives in Cambridge. Her latest few books are ‘There But For The’ (Penguin, 2011), ‘Artful’ (Penguin, 2012), ‘Shire’ (Full Circle, 2013) and ‘How to be both’ (Hamish Hamilton, 2014). Catherine Morris has been the Sackler Family Curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum since 2009. She has curated exhibitions including the award winning ‘Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art’ (co-curated with Vincent Bonin); ‘Käthe Kollwitz: Prints from the War and Death Portfolios’; ‘Matthew Buckingham: The Spirit and the Letter’; and ‘Kiki Smith: Sojourn’. She was in-house curator of ‘Eva Hesse: Spectres 1960’ and ‘Seductive Subversion: Women Pop Artists, 1958-1968’. As an independent curator she organized, among other projects, ‘Decoys, Complexes and Triggers: Women and Land Art in the 1970s’ at Sculpture Center, Long Island City, and ‘Gloria: Another Look at Feminist Art of the 1970s’ at White Columns, New York. Morris was the recipient of a Penny McCall Foundation Award for Independent Curating and Writing.

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