Midfield Dynamo

From award-winning author Adrian Duncan comes his first collection of astonishing short stories. These modern stories have been written over the past decade, half having been previously published in The Moth, The Stinging Fly, Dublin Review and elsewhere, half completely new. Patterning and happenstance make up the rich quotidian lives of the characters portrayed in these strange, energetic tales. The loose figures of young artists, footballers and artisan engineers act out against diverse backgrounds from Dublin’s northside to Hamburg, Abu Dhabi and Accra, lives tethered yet adrift in a random universe of hard scrabble and occasional illumination. The prose is spare, precise and imagistic, the humour dark and absurdist, shot through with an underlying humanity that has become the trademark of this remarkable writer. Taking inspiration from his childhood fascination with football team formations, Duncan arranges this collection with an eye to how each piece interacts with the others: ‘While looking at a starting eleven and imagining the team’s possible patterns of movement on the field of play, one question always prevails: What is behind all of this?’ With two novels and one short story collection published in the same number of years, the Lilliput Press is proud to present this new collection as Adrian Duncan quickly gains international attention. Recently winning the inaugural John McGahern Annual Book Prize and being shortlisted for the inaugural Dalkey Literary Award for Emerging Writer, Duncan’s prowess grows with each work. Edge Hill Short Story Prize 2021 Longlist.

Short-listed for Edge Hill Short Story Prize 2021 (Ireland)

Remarkable … these 12 haunting, curious tales have settings as diverse as coastal Ireland, post-Wall Berlin and Abu Dhabi.

-- Alexander Wells ExBerliner
Adrian Duncan’s new collection consolidates his reputation as one of the most captivating and distinctive voices in contemporary Irish writing. -- Michael Cronin Irish Times
The overarching connection between these austerely executed but richly imagined narratives has to do with the before and after of aspiration and disappointment, hope versus despair. -- Tom Treacy Totally Dublin
Recalling James Joyce’s Dubliners, and the punctuation of tough, ordinary, quotidian lives with occasional bursts of illumination and epiphany, Midfield Dynamo is beautiful in its sparse, humorous prose, born of a gruff, masculine tradition of Irish literature. -- Eva Wall Extra.ie

Exhilarating … These stories seek and discover scenes of beauty – in the process permitting notes of lyricism to earn their place – in overlooked and distinctly unglamorous contexts, to deeply moving effect … in Midfield Dynamo, as in Duncan’s novels, the structures of life must not only be built but endlessly renewed and maintained – and this process, this world of construction, is the point of it all, and the reward.

-- Neil Hegarty Dublin Review of Books

There's a real artist at work here 
PAT CARTY, HOT PRESS

A very impressive book of short stories which shine a light on the strangeness and absurdities of the modern world
MATTHEW GEDEN, IRISH EXAMINER

Recommended reading on RTÉ Today with Maura and Dáithí

These understated and immensely compassionate stories make a gem of a collection
ANNE CUNNINGHAM, MEATH CHRONICLE

Lyrical, bizarre and mystifying … will remind readers of Claire Keegan’s short stories, mixed with a little splash of Kevin Barry’s style
LITVOX

One of the most interesting Irish writers at work today
NIAMH DONNELLY, IRISH INDEPENDENT

Adrian Duncan, born in County Longford, is a Berlin-based visual artist who originally trained as an engineer. His short fiction has appeared in literary journals both in Ireland and the USA. His acclaimed debut novel, Love Notes from a German Building Site, was published by The Lilliput Press and Head of Zeus in 2019, was shortlisted for the Dalkey Literary Emerging Writer Award and won the inaugural John McGahern Annual Book Prize. His second novel, A Sabbatical in Leipzig, was published by the Lilliput Press in 2020.

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