Vivi Conway and the Sword of Legend
$18.39
- Paperback
- Release Date
1 June 2023
Summary
Vivi Conway and the Calling of the Lake
The problem with growing up listening to bedtime stories about monsters, magic and myth is that you don’t really question it when a lake summons you…
The lake has been calling to twelve-year-old Vivi Conway. On the day she and her Mams will move from Wales to London, she sneaks out to investigate what is calling her there. Instead of a quiet swim, she finds Excalibur (much smaller than she expected), a ferocious monster (much scarier i…
Book Details
| ISBN-13: | 9781913311421 |
|---|---|
| ISBN-10: | 1913311422 |
| Series: | Vivi Conway |
| Author: | Lizzie Huxley-Jones |
| Publisher: | Knights Of Media |
| Imprint: | Knights Of Media |
| Format: | Paperback |
| Release Date: | 1 June 2023 |
| Weight: | 264g |
| Dimensions: | 199mm x 128mm |
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About The Author
Lizzie Huxley-Jones
Lizzie Huxley-Jones (they/them) is an autistic author and editor based in London. They are the author of the forthcoming queer holiday rom-com Make You Mine This Christmas (2022) from Hodder Studio and fantasy middle grade series Vivi Conway and the Sword of Legend (2023) from Knights Of. They write joyful stories that centre queerness and disability.
They are the editor of Stim, an anthology of autistic authors and artists, which was published by Unbound in April 2020 to coincide with World Autism Awareness Week. They are also the author of the children’s biography Sir David Attenborough: A Life Story (2020) and a contributor to the anthology Allies: Real Talk About Showing Up, Screwing Up, And Trying Again (2021), which was chosen to be a World Book Day Title for 2023, renamed as Being an Ally (2023).
They also work with writers and publishers as a sensitivity reader and editorial consultant, and were an editor at independent micropublisher 3 of Cups Press. In their past career lives, they have been a research diver, a children’s bookseller and digital communications specialist.
They are represented by Abi Fellows of The Good Literary Agency.
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