Havoc

Tragedy and comedy fuse together perfectly in a labyrinthine mystery of emotional and psychological complexity. – Jo BrandHavoc is a rich, wry delight of a read - as funny as it is thought-provoking, as evocative as it is page-turning. Rebecca Wait is a phenomenal storyteller. I can’t wait to see what she writes next * Abbie Greaves, author of The Silent Treatment *SCREAMING, CRYING, THROWING UP! Havoc is a fever worth catching, a gloomy and gorgeous pleasure * Maggie Thrash, author of Rainbow Black *Eerie and utterly absorbing … [Havoc] is a tragicomic triumph about adolescence, identity and how quickly order can unravel * IMAGE Magazine *A delight to return to [Rebecca’s] witty, emotional, insightful writing * Hannah Beckerman *One of my favourite reads of the year! * Charlotte Heathcote *Funny * Good Housekeeping (20 Hottest Books of Summer) *Rebecca Wait has a glorious turn of phrase and a dazzling ability to go on peculiar tangents that never detract, but only ever add to a character’s experience … Wait’s writing is dry and droll, her characters twisty, thoughtful and highly specific, and Havoc is a total blast of a read, perfectly pinpointing where tragedy and wryness meet * Irish News *A biting and savagely funny novel … Think dark academia meets The League of Gentlemen * Red Magazine *Its boarding-school setting may well be decrepit, but the writing in Havoc is anything but. Sharp and compelling, Wait has - once again - created the most curious of characters, who made me both laugh and gasp aloud. In many ways extraordinary, I loved it * Amy Beashel *A master of zippy one-liners * Sunday Times *A wonderfully droll English tragicomedy, with darkness and bite * Natasha Poliszczuk (Summer Reading List 2025) *Rebecca Wait has a glorious turn of phrase and a dazzling ability to go on peculiar tangents that never detract, but only ever add to a character’s experience. * Herald *Gleefully macabre … Wait mines the rich seam of girls’ school fiction to delirious and rewarding effect. There are welcome echoes of St Trinian’s [and] abundant Ealing comedy in the madcap chases through school corridors and machinations in the lighting gallery during the school play. Yet beneath the comedy lies a distinctly unsettling undertone: the girls experience a convincingly visceral terror that edges towards Shirley Jackson territory and gives their hysteria an extra dimension. This, along with a genuine unexpectedness in the characterisation and a lot of very funny dialogue, loosens things up and brings real originality to the game. Combined with excellent pacing, a plot so deliciously thick you could stand a spoon up in it, and the boldness required to splice a darker thread into the narrative, it all adds up to a thoroughly satisfying contribution to a happily capacious genre. * Guardian (Book of the Day) *[Rebecca Wait] perfectly balances dark humour with a sense of encroaching threat. Her keen ear for dialogue and astute social observations make for a highly enjoyable and multi-layered novel * Observer *Unmissable … [Wait] combines a propulsive plot with unforgettable characters and laugh-out-loud funny dialogue * Women’s Weekly *Wry, compelling, and far funnier than a book about a mysterious contagion has any right to be, Havoc is an ode to the beautiful and complicated shambles of girlhood and the tender uncertainty of adulthood. With clear-eyed control and a keen wit, Rebecca Wait has created an unforgettable cast of characters so richly drawn you’d swear you went to school with them yourself. At once a mystery, a comedy, and a coming-of-age tale, Havoc defies easy categorisation beyond what it is at its heart: a deft and thoughtful page-turner that will satisfy anyone who appreciates a good story. – Alison Wisdom, author of WE CAN ONLY SAVE OURSELVES and THE BURNING SEASONRebecca Wait excels at tragicomedy … [Havoc] is St Trinian’s on steroids. * Guardian (Best Fiction of 2025) *

Rebecca is the author of five novels, the most recent of which, I’m Sorry You Feel That Way, was a Times, Guardian, Express, Good Housekeeping, BBC Culture Book of the Year and it was shortlisted for the Nota Bene Prize. Her novel, Our Fathers, received widespread acclaim and was a Guardian book of the year and a thriller of the month for Waterstones.