Murakami T

Fascinating…part ode, part exhibit that reads with restrained affection for his accidental accumulations….these tees excavate an intimate history. The choices we make about what we find and keep point to our interior worlds…Murakami’s understated love letters to his tees also convey how we give life to our things and vice versa. * Atlantic *It’s safe to say there is no one like Murakami * Literary Review *Murakami is one of the best writers around * Time Out, on Norwegian Wood *Everything he chooses to describe trembles with symbolic possibility * Guardian, on Norwegian Wood *Mesmerising, surreal, this really is the work of a true original * The Times, on The Wind-Up Bird Chronicle *Undeniably a somewhat eccentric book. But it’s also a very likeable one… The overall effect is not unlike sharing a conversation with a genial bloke in a bar * Reader’s Digest *One of the most influential novelists of his generation. * Observer *An incredibly readable and charming tour through Murakami’s life through the T-shirts he has collected along the way… [the reader] feels a personal connection with him, as if we are reading his secret diary – Adam Davidson * Northern Echo *

Haruki Murakami (Author)

In 1978, Haruki Murakami was twenty-nine and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.

Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.