The Tremor of Forgery

BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY AND STRANGERS ON A TRAIN

INTRODUCED BY DENISE MINA

'Highsmith is a giant of the genre. The original, the best, the gloriously twisted Queen of Suspense' MARK BILLINGHAM

'She kind of takes you by the hand and walks you toward the cliff. I like that sensation' GILLIAN FLYNN

'One of Highsmith's finest novels' NEW YORK TIMES

A gripping novel that explores the shifting sands of moral values - is murder still murder when committed in a lawless place?

Howard Ingham, an American writer, is in Tunisia working on a screenplay, and feeling stranded. No one has written to him since he arrived - neither the film director who he is supposed to be meeting in Tunis, nor his lover in New York.

The erratic mail eventually brings news of the director's suicide. For reasons obscure even to himself, Ingham decides to stay and work on a novel, but a series of events - a hushed-up murder and a vanished corpse - lures him inexorably into the deep, ambivalent shadows of the town; into deceit and away from conventional morality. Ultimately, what is in question is not justice or truth, but the state of his oddly quiet conscience.

'Highsmith is the poet of apprehension rather than fear . . . Highsmith's finest novel to my mind is The Tremor of Forgery, and if I were asked what it is about I would reply, "apprehension"' GRAHAM GREENE

“I love [Highsmith] so much . . . what a revelation her writing was - Wall Street JournalHighsmith is the poet of apprehension rather than fear . . . Highsmith's finest novel to my mind is The Tremor of Forgery , and if I were asked what it is about I would reply, "apprehension"'One of her best books ... She creates a lot of dread and a lot of apprehension very casually - Chicago TribuneOne of Highsmith's finest novels - New York Times”

I love [Highsmith] so much . . . what a revelation her writing was - Wall Street Journal

Highsmith is the poet of apprehension rather than fear . . . Highsmith's finest novel to my mind is The Tremor of Forgery, and if I were asked what it is about I would reply, "apprehension"'

One of her best books ... She creates a lot of dread and a lot of apprehension very casually - Chicago Tribune

One of Highsmith's finest novels - New York Times

Patricia Highsmith (1921-1995) was born in Fort Worth, Texas, and moved to New York when she was six. In her senior year, she edited the college magazine, having decided at the age of sixteen to become a writer. Her first novel, Strangers on a Train (1950), was made into a classic film by Alfred Hitchcock in 1951. The Talented Mr Ripley (1955), introduced the fascinating anti-hero Tom Ripley, and was made into an Oscar-winning film in 1999 by Anthony Minghella. Highsmith died in Locarno, Switzerland, in February 1995. Her last novel, Small g: A Summer Idyll, was published posthumously, the same year.

'Highsmith's finest novel' Graham Greene Howard Ingham, an American writer, is in Tunisia working on a screenplay, but when the film's director fails to arrive, he feels stranded. Erratic letters from New York eventually bring news of infidelity and suicide. Ingham - for reasons obscure even to himself - decides to stay on and work on a novel, but a series of peculiar events - a hushed-up murder, a vanished corpse - lures him inexorably into the deep, ambivalent shadows of the Arab town; into deceit and away from conventional morality. And when Ingham finds an accomplice to murder, what is in question is not justice or truth, but the state of his oddly quiet conscience. 'Highsmith is a giant of the genre. The original, the best, the gloriously twisted Queen of Suspense' Mark Billingham

BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY INTRODUCED BY DENISE MINA 'Highsmith is a giant of the genre. The original, the best, the gloriously twisted Queen of Suspense' MARK BILLINGHAM A gripping novel that explores the shifting sands of moral values - is murder still murder when committed in a lawless place?Howard Ingham, an American writer, is in Tunisia working on a screenplay, and feeling stranded. No one has written to him since he arrived - neither the film director who he is supposed to be meeting in Tunis, nor his lover in New York. The erratic mail eventually brings news of the director's suicide. For reasons obscure even to himself, Ingham decides to stay and work on a novel, but a series of events - a hushed-up murder and a vanished corpse - lures him inexorably into the deep, ambivalent shadows of the town; into deceit and away from conventional morality. Ultimately, what is in question is not justice or truth, but the state of his oddly quiet conscience. 'Highsmith is the poet of apprehension rather than fear . . . Highsmith's finest novel to my mind is The Tremor of Forgery , and if I were asked what it is about I would reply, "apprehension"' GRAHAM GREENE

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