Confessions of a Mask

Confessions of a Mask tells the story of a Japanese boy's development towards a homosexual identity during and after the Second World War. In narrating his progress from an isolated childhood through adolescence to manhood, he exposes his inner life, full of repressed homosexual desires and preoccupations with sadomasochism and death. The enduring power of the novel is in part owing to its themes of fantasy, despair and alienation, its eloquent voice, but also its autobiographical nature - the equally enduring fascination with the life and character of one of Japan's most turbulent artists.

'A terrific and astringent beauty...a work of art.' - Times Literary Supplement

'Never has a "confession" been freer from self-pity or over-indulgence.' - Sunday Times

'Mishima is lucid in the midst of emotional confusion, funny in the midst of despair. His book has made me understand how it feels to be Japanese.' - Christopher Isherwood

'Mishima is lucid in the midst of emotional confusion, funny in the midst of despair. His book has made me understand how it feels to be Japanese.' – Christopher Isherwood; ‘A terrific and astringent beauty ... a work of art.’ – Times Literary Supplement; 'Never has a "confession" been freer from self-pity or over-indulgence.' – Sunday Times

YUKIO MISHIMA (1925-1970) was a significant cultural figure in postwar Japan. A prolific novelist, poet and dramatist, his work helped establish Japanese literature in the West, particularly The Sea of Fertility tetralogy, and novels such as The Sailor Who Fell From Grace, The Temple of the Golden Pavilion and Confessions of a Mask. During his lifetime, Mishima courted controversy for his political views. In 1970, following a failed coup d'etat, Mishima publicly committed seppuku, ritual suicide by disembowelment.

Confessions of a Mask tells the story of a Japanese boy's development towards a homosexual identity during and after the Second World War. In narrating his progress from an isolated childhood through adolescence to manhood, he exposes his inner life, full of repressed homosexual desires and preoccupations with sadomasochism and death. The enduring power of the novel is in part owing to its themes of fantasy, despair and alienation, its eloquent voice, but also its autobiographical nature - the equally enduring fascination with the life and character of one of Japan's most turbulent artists. 'A terrific and astringent beauty...a work of art.' -- Times Literary Supplement 'Never has a "confession" been freer from self-pity or over-indulgence.' -- Sunday Times 'Mishima is lucid in the midst of emotional confusion, funny in the midst of despair. His book has made me understand how it feels to be Japanese.' -- Christopher Isherwood

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