The Pyramid

Eighteen is a good time for suffering


Welcome to the country town of Stillbourne. Restless teenage resident Oliver wants to enjoy himself before going to university, beginning with his pursuit of the Town Crier's daughter.


But in this claustrophobic community - stifled by the English class system, and where everybody knows everyone's business - love, lust and rebellion are closely followed by revenge and embarrassment . . .


'The great unbreakable wild horse of the 1960s British literary stable.' Rose Tremain
'Golding's most approachable novel and a curiously personal one, that returns to the mind again and again as if the shames and idylls were one's own.' Guardian

'Neatly drawn, funny and touching . . . The snap, the tang, and the tension in Golding's prose is always a pleasure.' Harper's

William Golding (1911 - 1993) was born in Cornwall and educated at Marlborough Grammar School and Brasenose College, Oxford. Before becoming a writer, he was an actor, small-boat sailor, musician and schoolteacher. In 1940 he joined the Royal Navy and took part in the D-Day operation and liberation of Holland. Lord of the Flies, his first novel, was rejected by several publishers but rescued from the 'reject pile' at Faber and published in 1954. It became a modern classic selling millions of copies, translated into 44 languages and made into a film by Peter Brook in 1963. Golding wrote eleven other novels, a play and two essay collections. He won the Booker Prize for Rites of Passage in 1980 and the Nobel Prize in Literature in 1983. He was knighted in 1988 and died in 1993. www.william-golding.co.uk

Follow young Oliver's rebellious coming-of-age in the village of Stillbourne in this comic novel by the radical Nobel Laureate and author of Lord of the Flies , introduced by Penelope Lively. Eighteen is a good time for suffering Welcome to the country town of Stillbourne. Restless teenage resident Oliver wants to enjoy himself before going to university, beginning with his pursuit of the Town Crier's daughter. But in this claustrophobic community - stifled by the English class system, and where everybody knows everyone's business - love, lust and rebellion are closely followed by revenge and embarrassment . . . 'The great unbreakable wild horse of the 1960s British literary stable.' Rose Tremain 'Golding's most approachable novel and a curiously personal one, that returns to the mind again and again as if the shames and idylls were one's own.' Guardian 'Neatly drawn, funny and touching . . . The snap, the tang, and the tension in Golding's prose is always a pleasure.' Harper's

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