The Book of Mother

Captures a filial love as fierce and frank as its central figure * New Yorker *A sparkling debut. Any sadness in the telling is countered by the panache and surprise of the writing infused in these pages. Love wins out in a life of struggle - the struggle of a monarch without a kingdom * Elle (France) *Violaine Huisman unfurls memories, facts and family myths … it’s poignant, terribly alive … the grit Huisman has in retelling her story, both as a young girl and as a writer, is as beautiful as it is brave … dignified and devastating, the book is a superb monument to a woman who spent her whole life in flight * Le Monde *Hypnotic and searching * La Vie *A magnificent ode. Her prose abounds with literary force * Le Point *An indelible portrait of a brilliant, beautiful, mad and maddening woman, expressing the joy of holding her mercurial attention and also the terrible cost of that intimacy. This is an exquisite evocation of the passionate, reciprocal love that can illuminate its objects, or destroy them, or both. No one who reads this captivating book will ever forget Maman. – Andrew SolomonViolaine Huisman summons her late mother’s voice in order to speak with and through and for her. The result is a charged portrait of a vibrant and destructive woman as imagined by the daughter who believed it was her job to save her. The prose has the unmistakable urgency and authority of love, producing an homage without idealization, an elegy without false consolation. The Book of Mother is at once an act of radical identification and a way of letting go – Ben LernerHuisman’s excellent debut chronicles the life of a charming but volatile Frenchwoman… Huisman’s storytelling ability is immense: Violaine unfurls the wide-ranging narrative like a raconteur at a party, and develops a kaleidoscopic portrait of Catherine. This thoughtful exploration of familial trauma and love will have readers riveted * PW, starred review *The names of Huisman’s characters will provoke discussion of the novel as autofiction, but the story here is bigger than that. Love hurts; Huisman elegantly examines how and why * Kirkus, starred review *A powerful and emotive piece of autofiction… as raucous as it is melancholic… Huisman powerfully rebukes the idealised paradigm of motherhood that is so entrenched in our society * NB Magazine *

Violaine Huisman was born in Paris in 1979 and has lived and worked in New York for twenty years, where she ran the Brooklyn Academy of Music’s literary series and also organized multidisciplinary arts festivals across the city. Originally published by Gallimard under the title Fugitive parce que reine, her debut novel The Book of Mother was awarded multiple literary prizes including the Prix Fran oise Saga and the Prix Marie Claire.

Leslie Camhi is a New York-based essayist and cultural journalist who writes for the New York Times, Vogue and other publications. She is a frequent contributor to artists’ monographs and museum catalogues. The Book of Mother is her first book-length translation.