The Life of Insects

Set in a crumbling Soviet Black Sea resort, The Life of Insects with its motley cast of characters who exist simultaneously as human beings (racketeers, mystics, drug addicts and prostitutes) and as insects, extended the surreal comic range for which Pelevin's first novel Omon Ra was acclaimed by critics. With consummate literary skill Pelevin creates a satirical bestiary which is as realistic as it is delirious - a bitter parable of contemporary Russia, full of the probing, disenchanted comedy that makes Pelevin a vital and altogether surprising writer.

Born in 1962 in Moscow, Victor Pelevin has swiftly been recognised as the leading Russian novelist of the new generation. Before studying at Moscow's Gorky Institute of Literature, he worked in a number of jobs, including as an engineer on a project to protect MiG fighter planes from insect interference in tropical conditions. One of the few novelists today who writes seriously about what is happening in contemporary Russia, he has, according to the New York Times, 'the kind of mordant, astringent turn of mind that in the pre-glasnost era landed writers in psychiatric hospitals or exile'.$$$His work has been translated into fifteen languages and his novels Omon Ra, The Life of Insects, The Clay Machine-Gun and Babylon, and two collections of short stories, The Blue Lantern (winner of the Russian 'Little Booker' Prize) and A Werewolf Problem in Central Russia, have been published in English to great acclaim.$$$Victor Pelevin was selected by the New Yorker as one of the best European writers under the age of thirty-five. Born in Yorkshire, England, Andrew Bromfield is a translator of Russian literature and an editor and co-founder of the literary journal Glas.

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