OSMOS Magazine: Issue 22

Writings and photography by Tom McDonough, Stephanie Snyder, Louis Jaffe and Horatiu Sava in the latest OSMOSThe latest issue of OSMOS features Stefan Gronert’s essay exploring Thomas Struth’s family portraits; Cay Sophie Rabinowitz on OSMOS artist-in-residence Kevin Claiborne; Leila Grothe on Cynthia Daignault’s paintings reflecting on American life; Chilean artist Felipe Mujica in conversation with Marcos Agudelo; Christian Rattemeyer on Adam Simon’s paintings; Tom McDonough on David Schoerner’s birdhouse series; Stephanie Snyder on Fabiola Menchelli in Eye of the Beholder; Horatiu Sava's story of Romanian sheep herders; Louis Jaffe's use of digital mapping to explore Californian wildfires; and Reportage by Guannan Li on fishermen in the Portugese town of Ovar.Founder and editor of OSMOS Magazine Cay Sophie Rabinowitz describes the publication as “an art magazine about the use and abuse of photography.” OSMOS Magazine is the only periodical publication in the market combining curatorial and art historical perspectives with portfolios, photo narratives and reportage.

Writings and photography by Tom McDonough, Stephanie Snyder, Louis Jaffe and Horatiu Sava in the latest OSMOS The latest issue of OSMOS features Stefan Gronert's essay exploring Thomas Struth's family portraits; Cay Sophie Rabinowitz on OSMOS artist-in-residence Kevin Claiborne; Leila Grothe on Cynthia Daignault's paintings reflecting on American life; Chilean artist Felipe Mujica in conversation with Marcos Agudelo; Christian Rattemeyer on Adam Simon's paintings; Tom McDonough on David Schoerner's birdhouse series; Stephanie Snyder on Fabiola Menchelli in Eye of the Beholder; Horatiu Sava's story of Romanian sheep herders; Louis Jaffe's use of digital mapping to explore Californian wildfires; and Reportage by Guannan Li on fishermen in the Portugese town of Ovar. Founder and editor of OSMOS Magazine Cay Sophie Rabinowitz describes the publication as "an art magazine about the use and abuse of photography." OSMOS Magazine is the only periodical publication in the market combining curatorial and art historical perspectives with portfolios, photo narratives and reportage.

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