Eyrie

Starred Review “[A] beautifully written powerful ninth novel … [Winton’s] an absurdly good writer, with not only the proverbial eye for detail but also a facility for rendering each detail in an original way. Winton is ambitious; this is a state-of-the-nation novel about a world run amok … this is a fascinating, thought-provoking book.” –“Publishers Weekly ”““Eyrie” is a fine work by any standard. It tackles myths of prosperity and success in a way that is not always comfortable, but that stirs deep thought. It is rich in compassion and affectionate towards the unlovely. It has a strong belief that no journey ends at the halfway mark. “Eyrie” is a novel for which our culture has been in urgent need.” –Michael McGirr, “The Age” (Australia) ”[“Eyrie”] bears witness to how the sprawling suburban world of this older generation, so often perched on the edge of wilder natural landscapes, has been tidied up, boxed in, the ecology of childhood imagination narrowed to PlayStation and satellite dish. Mostly though, it is a clear-eyed yet compassionate depiction of the underclass that lives off the crumbs of the resource boom … However elaborate your analysis of “Eyrie,” the novel stands, like all of the author’s work, on its ability to marry sophistication and simplicity. Page by page it is an engrossing novel; the reader is moved and enraged in equal measure by the plain human story of Keely and his beautiful, battered adoptive family. You long for the good guy to win. You pray and ache for a fresh start for them all. And, as ever, it is couched in the prose of a writer on whom nothing is lost, for whom the tiniest local detail bears an epiphanic charge … ‘Bravo, ’ thinks Keely, ‘f . . king brava.’ On finishing “Eyrie,” I felt much the same.” –Geordie Williamson, “The Australian”Praise for “Breath”“Stunning in the depth of its audacity … Limitlessly beautiful prose.” –“The Washington Post Book World ”“Darkly exhilara”“Eyrie” is a fine work by any standard. It tackles myths of prosperity and success in a way that is not always comfortable, but that stirs deep thought. It is rich in compassion and affectionate towards the unlovely. It has a strong belief that no journey ends at the halfway mark. “Eyrie” is a novel for which our culture has been in urgent need.” –Michael McGirr, “The Age” (Australia)”[“Eyrie”] bears witness to how the sprawling suburban world of this older generation, so often perched on the edge of wilder natural landscapes, has been tidied up, boxed in, the ecology of childhood imagination narrowed to PlayStation and satellite dish. Mostly though, it is a clear-eyed yet compassionate depiction of the underclass that lives off the crumbs of the resource boom … However elaborate your analysis of “Eyrie”, the novel stands, like all of the author’s work, on its ability to marry sophistication and simplicity. Page by page it is an engrossing novel; the reader is moved and enraged in equal measure by the plain human story of Keely and his beautiful, battered adoptive family. You long for the good guy to win. You pray and ache for a fresh start for them all. And, as ever, it is couched in the prose of a writer on whom nothing is lost, for whom the tiniest local detail bears an epiphanic charge … ‘Bravo, ’ thinks Keely, ‘f . . king brava.’ On finishing “Eyrie”, I felt much the same.” –Geordie Williamson, “The Australian”Praise for “Breath”“Stunning in the depth of its audacity … Limitlessly beautiful prose.” –“The Washington Post Book World”“Darkly exhilarating … A tautly gorgeous meditation on the inescapable human addiction to ‘the monotony of drawing breath, ’ whether you want to or not.” –“The New York Times Book Review”“Both a hymn to the beauty of flying on water and a sober assessment of the costs of losing one’s balance, in every sense of the word.” –“The New Yorker”

Tim Winton is the author of 30 books. His work has been widely translated and adapted for film, television, stage and radio. He lives in Western Australia.