The New Extremism in Cinema

Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noe, Michael Haneke and Lars von Trier have attracted media attention for the ways in which they seek to shock and provoke the spectator into powerful affective and visceral responses.This first collection of essays devoted to the new extremism in contemporary European cinema critically interrogates this highly contentious body of work and demonstrates that these films and the controversies they engender are indispensable to the critical task of rethinking the terms of spectatorship. Through critical discussions of key films and directors, this book sheds new light on cutting-edge debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema.Including important new work from internationally renowned scholars Martin Barker and Martine Beugnet, as well as combining a range of approaches to extreme cinema across audience research and theories of spectator ship, this exploration of the darkest side of cinema will be an invaluable resource for film scholars and students.

“"This is the first important study of its kind, and it is both perspicacious and unflinching in examining the provocative issues raised by such directors as Lars von Trier and Gaspar Noe with their graphic portrayals of sex and violence. Critical methods and the contentious debates regarding the expression of sexuality are both handled by the contributors with great rigour." -- Barry Forshaw, Crimetime”

"'An excellent source for students of film violence. Highly recommended' (Choice)"

Tanya Horeck is Senior Lecturer in Film Studies at Anglia Ruskin University. Tina Kendall is Senior Lecturer in Film Studies at Anglia Ruskin University, where she is also Pathway Leader for the undergraduate Film Studies degree.

Endorsement approved: "A stimulating, wide-ranging survey of a controversial and confrontational field of new European cinema. Addressing a style of film that challenges both the viewer and a wide range of taboos, the collection questions the meanings and uses of 'extremity' and conveys the complexity and diversity of a cinema that is vital, troubling and above all, itself critical." Jonathan Romney, Film Critic, Independent on Sunday AUTHOR APPROVED Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar No

Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar No, Michael Haneke and Lars von Trier have attracted media attention for the ways in which they seek to shock and provoke the spectator into powerful affective and visceral responses.This first collection of essays devoted to the new extremism in contemporary European cinema critically interrogates this highly contentious body of work and demonstrates that these films and the controversies they engender are indispensable to the critical task of rethinking the terms of spectatorship. Through critical discussions of key films and directors, this book sheds new light on cutting-edge debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema.Including important new work from internationally renowned scholars Martin Barker and Martine Beugnet, as well as combining a range of approaches to extreme cinema across audience research and theories of spectator ship, this exploration of the darkest side of cinema will be an invaluable resource for film scholars and students.

This item is eligible for free returns within 30 days of delivery. See our returns policy for further details.