The Cinema of Sara Gómez

Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gomez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution.

Gomez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference. The Cinema of Sara Gomez assembles history, criticism, biography, methodology, and theory of Gomez's work in scholarly writing; interviews with friends and collaborators; the film script of De cierta manera; and a detailed and complete filmography.

Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gomez's entire body of work, The Cinema of Sara Gomez unpacks her complex life and gives weight to her groundbreaking cinema.

“The release of this important critical anthology, alongside the release of the restorations, reinstates the work of Sara Gomez in the living archive of women film-makers and allwos her reintroduction into archives and counterarchives of Latin American cinema.”

A must-read for those researching and teaching feminist documentaries, decolonial ethnography, and the histories of Latin American Cinema.

Susan Lord is Professor of Film and Media in the Cultural Studies Graduate Program and Director of the Vulnerable Media Lab at Queen's University. She is co-editor of Killing Women: The Visual Culture of Gender and Violence; New World Coming: The Sixties and the Shaping of Global Consciousness; and Fluid Screens, Expanded Cinema. As a member of the editorial collective for the journal Public: Art, Culture, Ideas, she has co-edited the issues "Havana" and "Archive/Counter-Archives". María Caridad Cumaná taught Film and Television at the University of Havana for 15 years. She was Chief Coordinator for the Audiovisual Portal for Latin American and Caribbean Cinema at the Foundation of New Latin American Cinema, co-authored A Look at Cuban Cinema, Latitudes of the Margin: Latin American Cinema before the Third Millennium, and co-edited My Havana: The Musical City of Carlos Varela. She was Field Producer in Havana for the documentary Out My Windows (NFB). She is currently an Adjunct Faculty at Miami Dade College.

Throughout the 1960s and '70s, Afro-Cuban filmmaker Sara G

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