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Shakespeare

An Oxford Guide

Author: Stanley Wells and Lena Cowen Orlin  

Paperback

I. Why Study Shakespeare? Stanley Wells: Introduction 1. Lois Potter: Shakespeare's Life and Career 2. Gabriel Egan: Theatre in Shakespeare's Time 3. Peter Thomson: Conventions of Playwriting in Shakespeare's Time 4. David Crystal: The Language of Shakespeare 5. Russ McDonald: Shakespeare's Dramatic Verse 6. Margaret Jane Kidnie: Theatre in Shakespeare's Culture 7. A R Braunmuller: Shakespeare's Fellow Dramatists 8. Carole Levin: The Society of Shakespeare's England 9. Joan Thirsk: Daily Life, Health, and Medicine 10. Martin Ingram: Love, Sex, and Marriage in Shakespeare's Time 11. Peter Lake: Religion, Superstition, Witchcraft, and Magic 12. Lena Cowen Orlin: Political Thought and Gender Ideology 13. Emily Bartels: Shakespeare's View of the World II. Shakespeare's Genres 1. Lena Cowen Orlin: Introduction 2. William Carroll: Romantic Comedies Reading: Twelfth Night 3. Phyllis Rackin: English History Plays Reading: Henry V 4. Paul Edmondson: Late Comedies Reading: Measure for Measure 5. Linda Woodbridge: Tragedies Reading: Macbeth 6. Reginald Foakes: Romances Reading: The Winter's Tale 7. Lynne Magnusson: Non-dramatic Poetry Reading: Sonnets 8. Alan Armstrong: Unfamiliar Shakespeare III. The Critical Tradition Michael Taylor: Introduction 1. Michael Bristol: Humanist Interpretations Reading: King Lear 2. Christy Desmet: Character Criticism Reading: Hamlet 3. Leah Scragg: Source Study Reading: As You Like It 4. Inga-Stina Ewbank: Close Reading Reading: Richard III 5. Jean Howard: Feminist Approaches Reading: Othello 6. Bruce Smith: Studies in Sexuality Reading: The Merchant of Venice 7. Lynn Enterline: Psychoanalytic Criticisms Reading: Venus and Adonis 8. Jonathan Gil Harris: New Historicism, Cultural Materialism, and Marxism Reading: 1 Henry IV 9. Jyotsna Singh: Post-Colonial Approaches Reading: The Tempest 10. Kiernan Ryan: Deconstruction Reading: Romeo and Juliet 11. Patricia Tatspaugh: Performance History Reading: A Midsummer Night's Dream 12. Miriam Gilbert: Performance Criticism Reading: The Taming of the Shrew IV. Shakespeare's Afterlife Terence Hawkes: Introduction 1. Laurie Maguire: Shakespeare Published 2. Michael Billington: Shakespeare and the Modern Theatre 3. Tony Howard: Shakespeare on Film and Video 4. David Kathman: The Question of Authorship 5. John Gross: Shakespeare's Influence 6. Tom Hoenselaars: Shakespeare in Translation 7. Georgianna Ziegler: Shakespeare Sites 8. Michael Best: Electronic Resources for Shakespeare Study

This guide to Shakespeare comprises over 40 specially commissioned essays by a team of contemporary Shakespeare scholars. The volume is divided into four key parts - 'Why Study Shakespeare', 'Shakespeare's Genres', 'The Critical Tradition', and 'Shakespeare's Afterlife'.

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Summary

I. Why Study Shakespeare? Stanley Wells: Introduction 1. Lois Potter: Shakespeare's Life and Career 2. Gabriel Egan: Theatre in Shakespeare's Time 3. Peter Thomson: Conventions of Playwriting in Shakespeare's Time 4. David Crystal: The Language of Shakespeare 5. Russ McDonald: Shakespeare's Dramatic Verse 6. Margaret Jane Kidnie: Theatre in Shakespeare's Culture 7. A R Braunmuller: Shakespeare's Fellow Dramatists 8. Carole Levin: The Society of Shakespeare's England 9. Joan Thirsk: Daily Life, Health, and Medicine 10. Martin Ingram: Love, Sex, and Marriage in Shakespeare's Time 11. Peter Lake: Religion, Superstition, Witchcraft, and Magic 12. Lena Cowen Orlin: Political Thought and Gender Ideology 13. Emily Bartels: Shakespeare's View of the World II. Shakespeare's Genres 1. Lena Cowen Orlin: Introduction 2. William Carroll: Romantic Comedies Reading: Twelfth Night 3. Phyllis Rackin: English History Plays Reading: Henry V 4. Paul Edmondson: Late Comedies Reading: Measure for Measure 5. Linda Woodbridge: Tragedies Reading: Macbeth 6. Reginald Foakes: Romances Reading: The Winter's Tale 7. Lynne Magnusson: Non-dramatic Poetry Reading: Sonnets 8. Alan Armstrong: Unfamiliar Shakespeare III. The Critical Tradition Michael Taylor: Introduction 1. Michael Bristol: Humanist Interpretations Reading: King Lear 2. Christy Desmet: Character Criticism Reading: Hamlet 3. Leah Scragg: Source Study Reading: As You Like It 4. Inga-Stina Ewbank: Close Reading Reading: Richard III 5. Jean Howard: Feminist Approaches Reading: Othello 6. Bruce Smith: Studies in Sexuality Reading: The Merchant of Venice 7. Lynn Enterline: Psychoanalytic Criticisms Reading: Venus and Adonis 8. Jonathan Gil Harris: New Historicism, Cultural Materialism, and Marxism Reading: 1 Henry IV 9. Jyotsna Singh: Post-Colonial Approaches Reading: The Tempest 10. Kiernan Ryan: Deconstruction Reading: Romeo and Juliet 11. Patricia Tatspaugh: Performance History Reading: A Midsummer Night's Dream 12. Miriam Gilbert: Performance Criticism Reading: The Taming of the Shrew IV. Shakespeare's Afterlife Terence Hawkes: Introduction 1. Laurie Maguire: Shakespeare Published 2. Michael Billington: Shakespeare and the Modern Theatre 3. Tony Howard: Shakespeare on Film and Video 4. David Kathman: The Question of Authorship 5. John Gross: Shakespeare's Influence 6. Tom Hoenselaars: Shakespeare in Translation 7. Georgianna Ziegler: Shakespeare Sites 8. Michael Best: Electronic Resources for Shakespeare Study

This guide to Shakespeare comprises over 40 specially commissioned essays by a team of contemporary Shakespeare scholars. The volume is divided into four key parts - 'Why Study Shakespeare', 'Shakespeare's Genres', 'The Critical Tradition', and 'Shakespeare's Afterlife'.

Read more

Description

Edited by Stanley Wells and Lena Cowen Orlin, Shakespeare: An Oxford Guide provides a practical and stimulating guide to all aspects of Shakespeare studies. The volume comprises over 40 specially commissioned essays by an outstanding team of Shakespeare scholars; each essay is written in an accessible and engaging style, and is followed by annotated suggestions for further reading.The volume is divided into four key parts, which as awhole offer a valuable balance of factual and critical content. In the first Part, chapters provide information about and discuss Shakespeare, the theatres of his time, the society in which he lived, thelanguage of his period, the conventions of playwriting, and his contemporary impact. The second Part offers critical overviews of Shakespeare's achievement in the principal genres, and each overview is followed by a practical reading exploring Shakespeare's use of the traditions, scope and boundaries of that genre in one of his key works. Part Three offers guidance to the principal current critical approaches in the study of Shakespeare: each chapter outlines a particular critical approach, andis followed by a reading applying that approach to one of Shakespeare's works; and Part Four offers chapters on topics relating to Shakespeare's intellectual and cultural impact over theages.

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Critic Reviews

“'At 700 pages and with over 40 well-known contributors, this breezeblockof a Guide is the quintessential college textbook. And a very good textbook itis. Coherently organised in four sections ... a wealth of information ispresented at a reading level mainly that of an able college student who alreadyhas some acquaintance with Shakespeare.''Rex Gibson, Around the Globe 1/9/03”

`At 700 pages and with over 40 well-known contributors, this breezeblock of a Guide is the quintessential college textbook. And a very good textbook it is. Coherently organised in four sections ... a wealth of information is presented at a reading level mainly that of an able college student who already has some acquaintance with Shakespeare.''Rex Gibson, Around the Globe 1/9/03

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About the Author

Stanley Wells is Honorary President of the Shakespeare Birthplace Trust in Stratford, and was Professor of Shakespeare Studies, and Director of the Shakespeare Institute at the University of Birmingham from 1988 to 97, where he is now Emeritus Professor. He is the general editor of the Oxford Shakespeare, and co-editor of the Oxford Shakespeare: The Complete Works. With Peter Holland he is general editor of the Oxford Shakespeare Topics, and, with MichaelDobson, he recently edited the best-selling Oxford Companion to Shakespeare.Lena Cowen Orlin is Professor of English at the University of Maryland, Baltimore County, and Executive Director of the Shakespeare Association of America. Her publications include Material London, Ca. 1600 (University of Pennsylvania Press, 2000), Elizabethan Households (University of Washington Press, 1995), and Private Matters and Public Cultures in Post-Reformation England (Cornell University Press, 1994).

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More on this Book

Edited by Stanley Wells and Lena Cowen Orlin, Shakespeare: An Oxford Guide provides a practical and stimulating guide to all aspects of Shakespeare studies. The volume comprises over 40 specially commissioned essays by an outstanding team of Shakespeare scholars; each essay is written in an accessible and engaging style, and is followed by annotated suggestions for further reading.The volume is divided into four key parts, which as a whole offer a valuable balance of factual and critical content. In the first Part, chapters provide information about and discuss Shakespeare, the theatres of his time, the society in which he lived, the language of his period, the conventions of playwriting, and his contemporary impact. The second Part offers critical overviews of Shakespeare's achievement in the principal genres, and each overview is followed by a practical reading exploring Shakespeare's use of the traditions, scope and boundaries of that genre in one of his key works. Part Three offers guidance to the principal current critical approaches in the study of Shakespeare: each chapter outlines a particular critical approach, and is followed by a reading applying that approach to one of Shakespeare's works; and Part Four offers chapters on topics relating to Shakespeare's intellectual and cultural impact over the ages.

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Product Details

Publisher
Oxford University Press
Published
13th February 2003
Pages
742
ISBN
9780199245222

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