A Killing in November

This is a terrific crime novel, with a startlingly original protagonist we’re going to see a lot more of. Oxford’s mean streets just got meaner. * Mick Herron *
This moody, atmospheric novel is full of surprises, with subplots about sexual harassment and the impact of the Syrian civil war. * Sunday Times (Crime Book of the Month)
It’s a brave writer who sets a new crime series in Inspector Morse’s Oxford but Mason has come up trumps with chalk-and-cheese cops DI Ryan Wilkins and DI Ray Wilkins…It’s well plotted and very funny. **** * The Sun *
The first novel in a promising new police series set in Oxford that explores the working relationship between a chalk-and-cheese detective duo. * Sunday Times Crime Club (Star Pick) *
This has a TV series written all over it. * Daily Mail *
Simon Mason has reformulated Inspector Morse for the 2020s. This angelic two-year-old son, Ryan Jr (“Is it hard being a daddy?”), are superb and his relationship with Ray, a snob with a heart of gold beneath the sharp suit, shows huge potential. The good news is they’ll be back. * Mark Sanderson, Times (Best New Crime Fiction for Jan 2022) *
The story has modern relevance, ingenious plotting, vivid characterisation, a touching father-son relationship and impressively accurate city geography. * The Times (Audiobook of the Week) *
[T]his is a very individual piece of work, with a satisfying plot involving Syrian refugees, snobbish dons and nimble interaction between the ill-assorted protagonists. There is real craftsmanship at work here. * Financial Times *
Ryan Wilkins is about as far removed from George Smiley as a protagonist can be, he may in time become as memorable. He’s an extraordinary creation, and demonstrates that even in the most suspenseful thrillers, character is king * The Spectator *
Mason avoids the obvious tropes, and rather movingly focuses on Ryan’s relationship with his young son. Well plotted, too. It’s the first in a series: start now and avoid the rush. * Guardian (Best Holiday Reads) *
Mason has reformulated Inspector Morse for the 2020s * The Times (Best Books For Summer) *
Mason has reformulated Inspector Morse for the 2020s. The murder mystery is worthy of Colin Dexter but the result is less bookish and more bolshie * The Times (Best Crime Book of 2022) *
This moody, atmospheric novel is full of surprises. * Sunday Times (Crime Book of the Year) *
My favourite crime novel of the year was Simon Mason’s A Killing in November … it was enhanced by deft prose and the detective duo of social misfit Ryan Wilkins and the Balliol-educated Ray Wilkins. * BookBrunch *
Mismatched cops probe a college murder in this funny and well-plotted debut * Sun Scotland (Book of the Year) *
A real page-turner … the relationship between the two detectives is beautifully developed, and it’s brilliantly plotted and very funny * Wiltshire Life *
Simon Mason’s Ray Wilkins crime novels are my latest addiction. I wait impatiently for each one. What are the triple pillars of any great story? Character, Plot and Language. In the twin heroes of his novels (both called Wilkins and so unalike: they somehow create together one immortal police detective) he has created characters for the ages. His plots race thrillingly around an Oxford you never knew existed. His language though … without exhibiting a trace of “writerly” self-consciousness, he is capable of phrase-making and description of the very highest quality. Those three perfect pillars support truly memorable crime novels, as great a contribution to the noble British genre of detective fiction as any writer for decades.
My favourite UK series.

Simon Mason has pursued parallel careers as a publisher and an author. His YA crime novels Running Girl, Kid Got Shot, and Hey, Sherlock! feature the sixteen-year-old slacker genius Garvie Smith. A former Managing Director of David Fickling Books, he has also taught at Oxford Brookes University and has been a Royal Literary Fund Fellow at Exeter College, Oxford.

Lost and Never Found is the third book in the DI Ryan Wilkins Mysteries. The first book, A Killing in November, received widespread critical acclaim and was shortlisted for the CWA Gold Dagger. The second book, The Broken Afternoon, was a Times Audio Book of the Week and a Sunday Times Crime Book of the Month.

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