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Impossible Images

Contemporary Art After the Holocaust

Author: Shelley Hornstein, Laura Levitt and Laurence J. Silberstein   Series: New Perspectives on Jewish Studies

"Impossible Images" brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments.

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Summary

"Impossible Images" brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments.

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Description

Impossible Images brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments.
Exploring frequently neglected aspects of contemporary art after the Holocaust, the volume demonstrates how visual culture informs Jewish memory, and makes clear that art matters in contemporary Jewish studies. Accepting that knowledge is culturally constructed, Impossible Images makes explicit the ways in which context matters. It shows how the places where an artist works shape what is produced, in what ways the space in which a work of art is exhibited and how it is named influences what is seen or not seen, and how calling attention to certain details in a visual work, such as a gesture, a color, or an icon, can change the meaning assigned to the work as a whole.
Written accessibly for a general readership and those interested in art and art history, the volume also includes 20 color plates from leading artists Alice Lok Cahana, Judy Chicago, Debbie Teicholz, and Mindy Weisel.

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Critic Reviews

“"The essays probe the growing vocabulary of Holocaust imagery and address the various ways (in varied venues) that the Holocaust has been remembered, represented, and received." and ”

"The essays probe the growing vocabulary of Holocaust imagery and address the various ways (in varied venues) that the Holocaust has been remembered, represented, and received."--American Jewish History "This challenging collection of essays which also contains some stunning art work, should find a place in every library that deals with the memory of the Holocaust and its effects that transcend the generation." --Conservative Judaism "(Makes) a cogent case for a deeper, unmastered engagement with Holocause trauma."--Journal of Jewish Studies

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About the Author

Shelley Hornstein (Editor)
Shelley Hornstein is Associate Professor of Art and Architectural History at York University.
Laurence J. Silberstein (Editor)
Laurence J. Silberstein is Philip and Muriel Berman Professor of Jewish Studies at Lehigh University, where he directs the Philip and Muriel Berman Center for Jewish Studies.
Laura Levitt (Editor)
Laura Levitt is Associate Professor of Religion at Temple University. She is the author of Jews and Feminism: The Ambivalent Search for Home and co-editor of Impossible Images: Contemporary Art after the Holocaust and Judaism Since Gender.

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More on this Book

Impossible Images brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments. Exploring frequently neglected aspects of contemporary art after the Holocaust, the volume demonstrates how visual culture informs Jewish memory, and makes clear that art matters in contemporary Jewish studies. Accepting that knowledge is culturally constructed, Impossible Images makes explicit the ways in which context matters. It shows how the places where an artist works shape what is produced, in what ways the space in which a work of art is exhibited and how it is named influences what is seen or not seen, and how calling attention to certain details in a visual work, such as a gesture, a color, or an icon, can change the meaning assigned to the work as a whole. Written accessibly for a general readership and those interested in art and art history, the volume also includes 20 color plates from leading artists Alice Lok Cahana, Judy Chicago, Debbie Teicholz, and Mindy Weisel.

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Product Details

Publisher
New York University Press
Published
1st October 2003
Pages
285
ISBN
9780814798263

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