
Herzog
$22.96
- Paperback
368 pages
- Release Date
7 March 2019
Summary
“A masterpiece … Herzog’s voice, for all its wildness and strangeness and foolishness, is the voice of a civilization, our civilization” - New York Times
Herzog is alone, now that his wife Madeleine has left him for his best friend. Solitary, in a crumbling house which he shares with rats, he is buffeted by a whirlwind of mental activity. People are rumouring that his mind had collapsed. But is it true? Locked for days in the custody of his rambling memories, Herzog scrawls f…
Book Details
| ISBN-13: | 9780141184876 |
|---|---|
| ISBN-10: | 0141184876 |
| Author: | Saul Bellow, Malcolm Bradbury |
| Publisher: | Penguin Books Ltd |
| Imprint: | Penguin Classics |
| Format: | Paperback |
| Number of Pages: | 368 |
| Release Date: | 7 March 2019 |
| Weight: | 268g |
| Dimensions: | 198mm x 129mm x 22mm |
| Series: | Penguin Modern Classics |
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What They're Saying
Critics Review
The character of Herzog is Bellow’s grandest creation, and his mind is as rich as the mind of any character in American literature – Philip RothSpectacular … surely Bellow’s greatest novel – Malcolm BradburyA writer of genius * Sunday Times *Nobody else has ever sat down and wallowed to this extent in his own life, with full art – John Berryman
About The Author
Saul Bellow
Saul Bellow was born in 1915. He published his first novel, The Dangling Man, in 1944; this was followed, in 1947, by The Victim. In 1948 a Guggenheim Fellowship enabled Bellow to travel to Paris, where he wrote The Adventures of Augie March, published in 1953. Henderson The Rain King (1959) brought Bellow worldwide fame, and in 1964, his best-known novel, Herzog, was published and immediately lauded as a masterpiece, ‘a well-nigh faultless novel’ (New Yorker).
Bellow’s dazzling career as a novelist was celebrated during his lifetime with an unprecedented array of literary prizes and awards, including the Pulitzer Prize, three National Book Awards, and the Gold Medal for the Novel. In 1976 he was awarded a Nobel Prize ‘for the human understanding and subtle analysis of contemporary culture that are combined in his work’.
His death in 2005 was met with tribute from writers and critics around the world, including James Wood, who praised ‘the beauty of this writing, its music, its high lyricism, its firm but luxurious pleasure in language itself’.
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