Painting beautiful portraits of American countryside, and tapping into deep debates around humans and their relationship with nature, this extraordinary short-story collection was years ahead of its time, and is ripe for rediscovery.
Painting beautiful portraits of American countryside, and tapping into deep debates around humans and their relationship with nature, this extraordinary short-story collection was years ahead of its time, and is ripe for rediscovery.
'Sylvia would have liked him vastly better without his gun; she could not understand why he killed the very birds he seemed to like so much.'A tale for our times, 'A White Heron' follows Sylvia, a young woman who moves from the city to live with her grandmother in the Maine countryside. One day she is approached by a trophy hunter, who is keen to track down a rare and elusive bird so that he can shoot it and preserve it – but Sylvia finds herself enabling the bird's escape.Painting beautiful portraits of American countryside, and tapping into deep debates around humans and their relationship with nature, this extraordinary short-story collection was years ahead of its time, and is ripe for rediscovery.
'They are not stories at all, but life itself.' (Willa Cather) 'Immense – it is the very life.' (Rudyard Kipling)
Sarah Orne Jewett (1849–1909) was an American novelist and short-story writer whose 'local colour' works remain amongst the most important for detailing life in the American countryside. Best known today for her short stories, in particular 'A White Heron', a tale that considers the beauty of nature and man's tendency to destroy it, Jewett's avant-garde anti-hunting stance and feminist values have led to a renewed interest in her wider works.
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