Charlie Morphs Into a Mammoth
$29.12
- Paperback
320 pages
- Release Date
4 February 2020
Summary
Charlie McGuffin is closer than ever to being able to control his crazy ability to turn into animals, but there are some things he can’t control, like the arguments his parents keep having (which are making him more worried than ever) or the spate of mysterious animal disappearances spreading through town (which seem somehow to be connected to Charlie himself) or the fact that he doesn’t have a date for the school dance (which is coming up fast). With the support of best friends Flora, Mohsen…
Book Details
| ISBN-13: | 9780241346235 |
|---|---|
| ISBN-10: | 0241346231 |
| Author: | Sam Copeland, Sarah Horne |
| Publisher: | Penguin Random House Children's UK |
| Imprint: | Puffin |
| Format: | Paperback |
| Number of Pages: | 320 |
| Release Date: | 4 February 2020 |
| Weight: | 226g |
| Dimensions: | 197mm x 129mm x 21mm |
| Series: | Charlie Changes Into a Chicken |
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What They're Saying
Critics Review
The best kind of silly
The best kind of silly * Observer *
Fresh and funny … like a modern-day Dahl * Christopher Edge *
About The Author
Sam Copeland
Sam Copeland (Author)
Sam Copeland is an author, which has come as something of a surprise to him. He is from Manchester and now lives in London with two smelly cats, three smelly children and one relatively clean-smelling wife.
He is the author of the bestselling Charlie Changes Into a Chicken series (the first book of which was shortlisted for the Waterstones Children’s Book Prize), Uma and the Answer to Absolutely Everything and Greta and the Ghost Hunters. With Jenny Pearson, he has also written Tuchus & Topps Investigate- The Underpants of Chaos and Tuchus & Topps Investigate- The Attack of the Robot Librarians.
Despite legal threats, he refuses to stop writing.
Sarah Horne (Illustrator)
Sarah Horne has been an illustrator for over fifteen years. She started her career working for newspapers such as the Guardian and the Independent On Sunday and has since illustrated many funny young fiction titles.
She works traditionally with a dip pen and Indian ink, and finishes the work digitally.
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