The Witch's Door

“America’s first family of the macabre presents not just the stories of arcane objects, but of the people who created them, nurtured them, and loved them. We meet not just Ryan and Regina, but Nick the police sergeant, the mysterious Max Wax, creepy Carla Coffin, and a whole cast of others who have squirreled away priceless objects. The Witch’s Door is as much a character study as is it is a book about oddities—and that is what makes it essential reading.”

—Paul Koudinaris, author The Empire of Death and Heavenly Bodies

??“OBSESSED with this peek behind the black velvet curtain of how Ryan and Regina built their uniquely jaw-dropping collection of gothic, chic, mind-blowing oddities. I felt like I was there with them as they traveled the world to meet with passionate art dealers, crazed collectors, and eccentrically badass weirdos. This is must-read for anyone interested in curios and strange, alluring objects. The Witch’s Door is a macabre portal that reminds us that if we live among death, we live life the fullest even more.”

—Jill Kargman, New York Times bestselling author

“This is a delightfully eccentric tour of the authors’ offbeat world of collecting. It’s a powerful reminder of the enthralling stories that objects have to tell us about ourselves, and of the adventures they can engender in seeking them out.”

—Lindsey Fitzharris, New York Times Bestselling Author of The Butchering Art and The Facemaker

“Ryan and Regina painstakingly curate the absolute weirdest, coolest, most unconventionally beautiful things a brain could imagine. You will love this compilation of weird, wonderful ephemera as it is an odd window into two of my favorite souls.

—Steve Burns

“You might think that the people behind [the Oddities Flea Market] have some pretty good stories to tell — and indeed, in The Witch’s Door, they share accounts of objects that have notable and even uncanny histories.”—Tobias Carroll, InsideHook

A Barnes Noble Best Book of 2024!

“A fascinating romp.”—The Orange County Register

“Just know this: the book isn’t really meant to scare you or give you nightmares. It’s also not an anthology of ghost stories. Nope, authors Ryan Matthew Cohn and Regina M. Cohn are serious about the objects they collect, which includes the provenance of each item and its future. You might still notice that there is a certain kind of macabre to their overall collection and many individual objects, but the stories about these things are told with a fully historical and cultural tone that readers will find to be highly fascinating. Don’t be surprised if this book sends you to a museum or online, to find Cohn’s past work. If you’re Goth, you’re Halloween 24⁄7, or you’re a fellow collector, find ‘The Witch’s Door.’ For oddity lovers looking for a good book, let this be your one thing.”—Terri Schlichenmeyer for the Galveston County Daily News

Ryan Matthew Cohn is an artist, curator, rare art collector, and cofounder of the Oddities Flea Market. His artwork has been exhibited at the Museum of Arts and Design, Armour-Stiner Octagon House, Copro Gallery, Last Rites Gallery, Morbid Anatomy Museum, Roq La Rue Gallery, and more.

Regina M. Rossi is the cofounder and producer of the Oddities Flea Market, a traveling high-end art market. Under her leadership, the Oddities Flea Market expanded from Brooklyn to Los Angeles, Chicago, Seattle, Manhattan, and beyond.

Ryan and Regina live in Connecticut with their cat, three dogs, and growing collection of rare art, oddities, and other ephemera. The Witch’s Door is their first book.

Jim Ruland is the LA Times bestselling author of Corporate Rock Sucks: The Rise & Fall of SST Records. He is also the co-author of Do What You Want with Bad Religion and My Damage with Keith Morris. In addition to being a columnist for Razorcake fanzine and a frequent contributor to the Los Angeles Times, he is the author of the novels Make It Stop and Forest of Fortune and the short story collection Big Lonesome.