Fremder

Recalls Orwell’s 1984 and Wells’s The Time Machine…. a revelation. * The Guardian *
Unputdownable, moving, ingenious… it will remain in my head with troubling images and scenes for a long time. – A. N. Wilson * Evening Standard *
Shot through with Hoban’s trademark luminous prose… A book to read and reread. * Financial Times *
He displays prodigious storytelling skills and an uncanny talent for fleshing out allegories. The result is an urgent, bitterly ironic but tender evocation of the capacities of the human spirit. * Independent on Sunday *
A funky and funny tour de force. * Mail on Sunday *

Russell Hoban was described by The Times as ‘perhaps the most consistently strange writer of the late 20th century’. He wrote in an extraordinary range of genres, becoming first a bestselling writer of children’s books, particularly the Frances stories and his first novel, The Mouse and His Child (1968). After its publication he continued to write for children (most notably perhaps the Captain Najork books with Quentin Blake and The Marzipan Pig), but focussed most of his energies on a sequence of wonderful novels, which began with The Lion of Boaz-Jachin and Jachin-Boaz (1973) and ended with Angelica Lost and Found (2010). He also wrote the libretto for Harrison Birtwistle’s opera The Second Mrs Kong (1994). His novels were wildly various, but share his obsession with objects, animals, specific works of art and pieces of music, his love of words and sense of humour. Penguin Modern Classics publishes his first eight novels- The Lion of Boaz-Jachin and Jachin-Boaz, Kleinzeit, Turtle Diary, Riddley Walker, Pilgermann, The Medusa Frequency, Fremder and Mr Rinyo-Clacton’s Offer.

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