It is largely unknown that The Calendar of the Soul first appeared as the second part of a calendar.
It is largely unknown that The Calendar of the Soul first appeared as the second part of a calendar.
"You will find meditative verses for the individual weeks of the year. You should take these meditations quite particularly into your hearts, for they contain what can make the soul alive and what really corresponds to a living relationship of the soul forces to the forces of the macrocosm." Rudolf Steiner Many are familiar with Rudolf Steiner's work The Calendar of the Soul, the book of fifty-two weekly meditative verses that run from Easter to Easter. Few, however, know anything of its history. The form in which it appears today derives from the 1925 edition, which appeared only a few days after Steiner's death. This was the first printing of the verses in their current form as a commercially available edition. Seven years earlier, in 1918, an edition with a short introduction by Steiner appeared as the thirteenth of the "Colourful Waldorf Astoria Booklets," tiny books packaged with Waldorf Astoria cigarettes and intended for soldiers in the trenches. The project was an initiative of Emil Molt, the owner of the cigarette company, an anthroposophist, and a close friend of Rudolf Steiner.It also appeared in a series of books edited by Molt's friend Hermann Hesse, intended for German prisoners of war.Neither edition was available to the public through bookstores. The Calendar itself came into being seven years previously. Imma von Eckhardstein, who had been a member of Steiner's inner circle of co-workers since 1904, first had the idea in spring 1911. Soon afterward - for health reasons - Marie von Sivers decided to spend three months at Portorose, near Trieste, on the Adriatic. Imma von Eckhardstein accompanied her. Rudolf Steiner also spent much time there when not lecturing. Von Eckhardstein was given the task of illustrating the calendar, following Steiner's indications for new monthly zodiacal images, as well as for other images. Publication was planned for the end of 1911, with the help of a grant from the Foundation for Theosophical Art. The actual printing occurred in Munich in March 1912, under the watchful eyes of Imma von Eckhardstein. Books were available in April. Only a limited edition was published, and it was never reissued.On April 11, in Helsinki, following a special lecture for Russian members who had travelled from Moscow to hear him, Steiner showed his audience the new Calendar 1912/13, saying, "Whoever meditates on these verses will achieve a great deal." The calendar begins with an introduction by Steiner on the nature of a calendar as a way to connect past and future as well as earth and cosmos. It is important to get a sense of the movements of the Sun and Moon in relation to the planets and fixed stars. It is also important to bring the past into the present by invoking great beings in the evolution of consciousness on their appropriate birth or death days, and to celebrate the Holy Days. Steiner designed new zodiacal images for each month, traced the phases of the moon, and specified significant people, events, and/or festivals for each day. By living into the year in this way, one is ready for the meditative year as expressed by the weekly verses of the soul calendar.
Rudolf Steiner (b. Rudolf Joseph Lorenz Steiner, 1861-1925) was born in the small village of Kraljevec, Austro-Hungarian Empire (now in Croatia), where he grew up. As a young man, he lived in Weimar and Berlin, where he became a well-published scientific, literary, and philosophical scholar, known especially for his work with Goethe's scientific writings. Steiner termed his spiritual philosophy anthroposophy, meaning "wisdom of the human being." As an exceptionally developed seer, he based his work on direct knowledge and perception of spiritual dimensions. He initiated a modern, universal "spiritual science" that is accessible to anyone willing to exercise clear and unbiased thinking. From his spiritual investigations, Steiner provided suggestions for the renewal of numerous activities, including education (general and for special needs), agriculture, medicine, economics, architecture, science, philosophy, Christianity, and the arts. There are currently thousands of schools, clinics, farms, and initiatives in other fields that involve practical work based on the principles Steiner developed. His many published works feature his research into the spiritual nature of human beings, the evolution of the world and humanity, and methods for personal development. He wrote some thirty books and delivered more than six thousand lectures throughout much of Europe. In 1924, Steiner founded the General Anthroposophical Society, which today has branches around the world. Christopher Bamford (1943-2022) was born in Cardiff, South Wales, and lived for a while in Hungary and then in Scotland. He studied as an undergraduate at Trinity University in Dublin and earned his master's degree at the Annenberg School for Communication, University of Pennsylvania. For nearly thirty years, he was Editor in Chief at SteinerBooks (Anthroposophic Press) and its imprints. A Fellow of the Lindisfarne Association, he lectured, taught, and wrote widely on Western spiritual and esoteric traditions. His books include a selection of his numerous introductions, Encountering Rudolf Steiner: Introductions to Essential Works (2022); Healing Madonnas: Exploring the Sequence of Madonna Images Created by Rudolf Steiner and Felix Peipers for Use in Therapy and Meditation (2017); An Endless Trace: The Passionate Pursuit of Wisdom in the West (2003); and The Voice of the Eagle: The Heart of Celtic Christianity (1990). He also translated and edited numerous books, including Homage to Pythagoras: Rediscovering Sacred Science (2001); The Noble Traveller: The Life and Writings of O. V. de L. Milosz (1984); and Celtic Christianity: Ecology and Holiness (1982). Essays by Mr. Bamford are included in The Best Spiritual Writing 2000 ("In the Presence of Death") and The Best American Spiritual Writing 2005 ("The Gift of the Call"). Christopher passed over the threshold on May 13, 2022, at his Mt. Washington, Massachusetts home.
"You will find meditative verses for the individual weeks of the year. You should take these meditations quite particularly into your hearts, for they contain what can make the soul alive and what really corresponds to a living relationship of the soul forces to the forces of the macrocosm." Rudolf Steiner Many are familiar with Rudolf Steiner's work The Calendar of the Soul, the book of fifty-two weekly meditative verses that run from Easter to Easter. Few, however, know anything of its history. The form in which it appears today derives from the 1925 edition, which appeared only a few days after Steiner's death. This was the first printing of the verses in their current form as a commercially available edition. Seven years earlier, in 1918, an edition with a short introduction by Steiner appeared as the thirteenth of the "Colourful Waldorf Astoria Booklets," tiny books packaged with Waldorf Astoria cigarettes and intended for soldiers in the trenches. The project was an initiative of Emil Molt, the owner of the cigarette company, an anthroposophist, and a close friend of Rudolf Steiner.It also appeared in a series of books edited by Molt's friend Hermann Hesse, intended for German prisoners of war. Neither edition was available to the public through bookstores. The Calendar itself came into being seven years previously. Imma von Eckhardstein, who had been a member of Steiner's inner circle of co-workers since 1904, first had the idea in spring 1911. Soon afterward - for health reasons - Marie von Sivers decided to spend three months at Portorose, near Trieste, on the Adriatic. Imma von Eckhardstein accompanied her. Rudolf Steiner also spent much time there when not lecturing. Von Eckhardstein was given the task of illustrating the calendar, following Steiner's indications for new monthly zodiacal images, as well as for other images. Publication was planned for the end of 1911, with the help of a grant from the Foundation for Theosophical Art. The actual printing occurred in Munich in March 1912, under the watchful eyes of Imma von Eckhardstein. Books were available in April. Only a limited edition was published, and it was never reissued.On April 11, in Helsinki, following a special lecture for Russian members who had travelled from Moscow to hear him, Steiner showed his audience the new Calendar 1912/13, saying, "Whoever meditates on these verses will achieve a great deal. " The calendar begins with an introduction by Steiner on the nature of a calendar as a way to connect past and future as well as earth and cosmos. It is important to get a sense of the movements of the Sun and Moon in relation to the planets and fixed stars. It is also important to bring the past into the present by invoking great beings in the evolution of consciousness on their appropriate birth or death days, and to celebrate the Holy Days. Steiner designed new zodiacal images for each month, traced the phases of the moon, and specified significant people, events, and/or festivals for each day. By living into the year in this way, one is ready for the meditative year as expressed by the weekly verses of the soul calendar.
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