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Sexual Politics and Narrative Film: Hollywood and Beyond

Robin Wood


  • Paperback
    $77.45
PUBLISHED: 30th September 1998
ISBN: 9780231076050
ANNOTATION:
One of the most distinctive voices in film criticism explores relationships between narrative style and sexual politics. Robin Wood, well known for his books "Hollywood from Vietnam to Reagan" and "Hitchcock's Films Revisited," probes the political and sexual ramifications of fascism and cinema, marriage and the couple, romantic love, and representations of women, race, and gender in contemporary films from the United States, Europe, and Japan. He looks closely at the works of Leo McCarey and Jacques Rivette, Ozu's "Noriko Trilogy," and the recent Generation X films "Before Sunrise" and "The Doom Generation." In a chapter on fascism and cinema that juxtaposes Leni Riefenstahl's "Triumph of the Will" and Alain Resnais's "Night and Fog," Wood finds that what is most important is not these films' record of another time and place but "the light they can throw on our contemporary cultural situation." Wood's central concern in these chapters is the ways in which the films relate to sexual politics and the organization within our culture of gender and sexuality. Seeing humanity as a "battleground" of a struggle between forces for Life and those of Death, Wood holds out hope for a joining of the forces of feminism, antiracism, lesbian and gay rights, and environmentalism necessary for authentic movement toward liberation.
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  • Paperback
    $77.45
PUBLISHED: 30th September 1998
ISBN: 9780231076050
ANNOTATION:
One of the most distinctive voices in film criticism explores relationships between narrative style and sexual politics. Robin Wood, well known for his books "Hollywood from Vietnam to Reagan" and "Hitchcock's Films Revisited," probes the political and sexual ramifications of fascism and cinema, marriage and the couple, romantic love, and representations of women, race, and gender in contemporary films from the United States, Europe, and Japan. He looks closely at the works of Leo McCarey and Jacques Rivette, Ozu's "Noriko Trilogy," and the recent Generation X films "Before Sunrise" and "The Doom Generation." In a chapter on fascism and cinema that juxtaposes Leni Riefenstahl's "Triumph of the Will" and Alain Resnais's "Night and Fog," Wood finds that what is most important is not these films' record of another time and place but "the light they can throw on our contemporary cultural situation." Wood's central concern in these chapters is the ways in which the films relate to sexual politics and the organization within our culture of gender and sexuality. Seeing humanity as a "battleground" of a struggle between forces for Life and those of Death, Wood holds out hope for a joining of the forces of feminism, antiracism, lesbian and gay rights, and environmentalism necessary for authentic movement toward liberation.

Annotation

One of the most distinctive voices in film criticism explores relationships between narrative style and sexual politics. Robin Wood, well known for his books "Hollywood from Vietnam to Reagan" and "Hitchcock's Films Revisited," probes the political and sexual ramifications of fascism and cinema, marriage and the couple, romantic love, and representations of women, race, and gender in contemporary films from the United States, Europe, and Japan. He looks closely at the works of Leo McCarey and Jacques Rivette, Ozu's "Noriko Trilogy," and the recent Generation X films "Before Sunrise" and "The Doom Generation." In a chapter on fascism and cinema that juxtaposes Leni Riefenstahl's "Triumph of the Will" and Alain Resnais's "Night and Fog," Wood finds that what is most important is not these films' record of another time and place but "the light they can throw on our contemporary cultural situation." Wood's central concern in these chapters is the ways in which the films relate to sexual politics and the organization within our culture of gender and sexuality. Seeing humanity as a "battleground" of a struggle between forces for Life and those of Death, Wood holds out hope for a joining of the forces of feminism, antiracism, lesbian and gay rights, and environmentalism necessary for authentic movement toward liberation.

Publisher Description

One of the most distinctive voices in film criticism explores relationships between narrative style and sexual politics. Robin Wood, well known for his books Hollywood from Vietnam to Reagan and Hitchcock's Films Revisited, probes the political and sexual ramifications of fascism and cinema, marriage and the couple, romantic love, and representations of women, race, and gender in contemporary films from the United States, Europe, and Japan. He looks closely at the works of Leo McCarey and Jacques Rivette, Ozu's "Noriko Trilogy," and the recent Generation X films Before Sunrise and The Doom Generation. In a chapter on fascism and cinema that juxtaposes Leni Riefenstahl's Triumph of the Will and Alain Resnais's Night and Fog, Wood finds that what is most important is not these films' record of another time and place but "the light they can throw on our contemporary cultural situation." Wood's central concern in these chapters is the ways in which the films relate to sexual politics and the organization within our culture of gender and sexuality.Seeing humanity as a "battleground" of a struggle between forces for Life and those of Death, Wood holds out hope for a joining of the forces of feminism, antiracism, lesbian and gay rights, and environmentalism necessary for authentic movement toward liberation.

Author Biography

Robin Wood, recently retired as professor of film studies at Atkinson College, York University, Canada, is the author of Hollywood from Vietnam to Reagan and Hitchcock's Films Revisited (both Columbia).

Table of Contents

I. Introductory 1. Introduction 2. Facisim/Cinema II. Marriage and the Couple 3. The Couple and the Other 4. Renoir and Mozart 5. Resistance to Definition: Ozu's "Noriko" Trilogy III. The Family 6. Leo McCarey and "Family Values" 7. Family Loyalties IV. Romantic Love 8. The Two Gaslights 9. Letter from an Unknown Woman: The Double Narrative V. Women-Oppression and Transgression 10. Three Films of Mizoguchi: Questions of Style and Identification 11. Persona Revisited VI. Race and Gender 12. Mandingo: The Vindication of an Abused Masterpiece VII. Toward Liberation 13. Narrative Pleasure: Two Films by Jacques Rivette 14. Drawing Earl: The Lesson of Life Classes 15. Rethinking Romantic Love: Before Sunrise 16. Finale: The Doom Generation

Review

Wood has a rare and welcome grasp of the difficulties of fashioning a film narrative that both satisfies a mass audience and remains critical of its own achievement. -- K. Tololyan, Wesleyan University Choice

Promotional

"Wood, as always, breaks ground with his fresh, incisive, thought-provoking, and challenging essays on films that others have either relegated to a narrow and politically correct interpretation (Gaslight and Letter from an Unknown Woman or ignored (Make Way for Tomorrow) or scorned (Mandingo). Wood brings clarity of thought, deep personal honesty, and an amazing knowledge of film to bear on an international array of material." -- Jeanine D. Bassinger, Corwin-Fuller Professor of Film Studies and Curator of the Cinema Archives, Wesleyan University

Prizes

Winner of Choice Outstanding Academic Title 2017

Product Details

Author
Robin Wood
Short Title
SEXUAL POLITICS & NARRATIVE FI
Pages
352
Publisher
Columbia University Press
Language
English
ISBN-10
0231076053
ISBN-13
9780231076050
Media
Book
Format
Paperback
Illustrations
Yes
Year
1998
Publication Date
1998-09-30
Subtitle
Hollywood and Beyond
Country of Publication
United States
Residence
Toronto, OH, US
Series
Film and Culture (Hardcover)
Translated from
English