
Violín
mediating musical style and devotional practice in 21st-century cuba
$100.16
- Paperback
246 pages
- Release Date
31 October 2025
Summary
The Violin’s Sacred Song: Afro-Cuban Religious Music Reimagined
Afro-descendant religious music in the Caribbean and Latin America often emphasizes drumming and age-old songs honoring spirit deities. However, a new worship style called violín or toque de violín has recently become popular in Cuba. This style incorporates the violin with the guitar, electronic piano, and other instruments commonly linked to popular music.
Violines can be seen as per…
Book Details
ISBN-13: | 9781009584012 |
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ISBN-10: | 1009584014 |
Series: | Afro-Latin America |
Author: | Robin D. Moore |
Publisher: | Cambridge University Press |
Imprint: | Cambridge University Press |
Format: | Paperback |
Number of Pages: | 246 |
Release Date: | 31 October 2025 |
Weight: | 250g |
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What They're Saying
Critics Review
‘In Violín, Robin Moore, the leading scholarly authority on Cuban music, provides a groundbreaking, readable, holistic, and rigorous exploration of the music of Cuban Espiritismo, illuminating the devotional practices of this widespread, ever-changing, and under-studied religion.’ Peter Manuel, Professor Emeritus, City University of New York‘Violín is a sophisticated and innovative study of Cuban devotional music rooted in a mélange of cultures, aesthetics, and religious practices. Robin Moore’s deft analysis shows how performances of toques de violin express shared loss, joy, and liberation through the swaying voice of the violin. The sonic textures that connect divinity, ancestors, and community move through the book’s pages in a profound testament to Afro-Cuban sacred artistry and innovation.’ Solimar Otero, author of Archives of Conjure, Professor of Folklore and Gender Studies, Indiana University
About The Author
Robin D. Moore
Robin D. Moore is Professor of Ethnomusicology at the University of Texas, Austin. He is the editor and co-author of Music and Revolution: Cultural Change in Socialist Cuba (2006), Musics of Latin America (2012), College Music Curricula for a New Century (2017), and Fernando Ortiz on Music (2018).
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