A Breakfast of Eels

‘Intensely absorbing… hushed and unhurried, sensitive and beautiful’

‘A precise and subtle picture of a family crisis’

‘Profound and humane’

‘Immensely satisfying… Robert Holman’s play swells, pregnant with meaning and guarded, overcast silences, before breaking into beautiful, painful torrents’

‘A compassionate and probing piece’

‘Elusive, beautiful and incredibly moving’

Robert Holman (1952–2021) was a British playwright whose work has been produced by the Royal Shakespeare Company and the Royal Court Theatre, as well as in the West End and elsewhere. He is celebrated for the passionate humanity and quiet intensity of his plays, especially for his triptych of short plays, Making Noise Quietly, which was first seen at the Bush Theatre, London, in 1986, and has since been revived and adapted as a film (2019).His plays include: Mud (Royal Court Theatre, 1974); German Skerries (Bush Theatre, 1977, and revived at the Orange Tree Theatre, 2016); Rooting (Traverse Theatre, 1979); Other Worlds (Royal Court Theatre, 1980); Today (Royal Shakespeare Company, 1984); The Overgrown Path (Royal Court Theatre, 1985); Making Noise Quietly (Bush Theatre, 1987, and revived at the Donmar Warehouse, 2012); Across Oka (Royal Shakespeare Company, 1988); Rafts and Dreams (Royal Court Theatre, 1990); Bad Weather (Royal Shakespeare Company, 1998); Holes in the Skin (Chichester Festival Theatre, 2003); Jonah and Otto (Royal Exchange Theatre, 2008, and revived at the Park Theatre, 2014); A Thousand Stars Explode in the Sky, co-written with David Eldridge and Simon Stephens (Lyric Theatre, Hammersmith, 2010); A Breakfast of Eels (Print Room at the Coronet, 2015); and The Lodger (Coronet Theatre, London, 2021).He also wrote a novel, The Amish Landscape, published in 1992.