Artspoke: A Guide to Modern Ideas, Movements and Buzzwords 1848-1944

This successor to the phenomenally popular Artspeak: A Guide To Contemporary Ideas, Movements, and Buzzwords chronicles international art from realism through surrealism. An invaluable guide through the intricacies of the first century of modern art, ArtSpoke features the same lucid prose, thought-provoking ideas, user-friendly organization, and striking design as its predecessor, ArtSpeak: A Guide to Contemporary Ideas, Movements, and Buzzwords. Chronicling international art from Realism through Surrealism, ArtSpoke explains such popular but often misunderstood movements and organizations as Impressionism, Post-Impressionism, the Salon, the Fauves, the Harlem Renaissance, and so on-as well as events ranging from the 1913 Armory Show to Brazils little-known Semana de Arte Moderna. Concise explanations of potentially perplexing techniques, media, and philosophies of art making-including automatism, calotype, found object, Pictorialism, and Readymade-provide information essential to understanding how artists of this era worked and why the results look the way they do. Entries on concepts that were crucial to the development of modern art-such as androgyny, dandyism, femme fatale, spiritualism, and many others-distinguish this lively guide from any other art dictionary on the market. Also unique to this volume is the ArtChart, a handy one-page chronological diagram of the groups discussed in the book. In addition, there is a scene-setting timeline of world history and art history from 1848 to 1944, overflowing with invaluable information and illustrated with twenty-four color reproductions. Students, specialists, and casual art lovers will all find ArtSpoke an essential addition to their reference shelves and a welcome companion on visits to museums and galleries. AUTHOR Robert Atkins is an art critic, curator, and professor of art history. A regular columnist for the Village Voice, he is the recipient of awards for criticism from the National Endowment for the Arts and Manufacturers Hanover Bank. He lectures frequently about cultural politics and has curated exhibitions for the New Museum of Contemporary Art and the Clocktower (both in New York) and for the Sao Paulo Bienal. He is also a founding member of Visual AIDS, the producers of Day Without Art and the red AIDS-awareness ribbon.

“"Eagleton's... wit, his earthy hard-headedness, and razor-sharp style often had mein stitches ... and how many theorists can make you bust a gutpondering the arcane terms of poststructuralism?"”

Eagleton has confirmed his standing as second to none among cultural critics writing in the English language today.--Guardian
Eagleton's ... wit, his earthy hard-headedness, and razor-sharp style often had me in stitches ... and how many theorists can make you bust a gut pondering the arcane terms of poststructuralism?--Newsday

Robert Atkins is an art critic, curator, and professor of art history. A regular columnist for the Village Voice, he is the recipient of awards for criticism from the National Endowment for the Arts and Manufacturers Hanover Bank. He lectures frequently about cultural politics and has curated exhibitions for the New Museum of Contemporary Art and the Clocktower (both in New York) and for the Sao Paulo Bienal. He is also a founding member of Visual AIDS, the producers of Day Without Art and the red AIDS-awareness ribbon.

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