The Fashion Forecasters

A welcome contribution to the under-researched area of fashion prediction through ‘a series of cultural biographies of influential forecasters and forecasting entities’ … Includes excellent full-colour photographs and particularly fascinating reproductions of archival materials … These books are exceptional collections of essays, timely in their arrival and inspirational in terms of the continued broadening scope of work to be done on US and global fashion. * Journal of Design History (joint-reviewed with The Hidden History of American Fashion) *Through carefully chosen case studies, the book provides a detailed blueprint of the development of fashion forecasting from its humble beginning in nineteenth century Paris, into a mature and complex service business in the age of big data and digital innovation. The Fashion Forecasters effectively weaves together personal narratives with archival sources, and will be of interest to academics, students, and those interested in the past, present and future of colour and trend prediction in the fashion industry. * The Design Journal *The intuition, “sixth-sense”, and impeccable taste of fashion forecasters is well worth this book’s insightful analysis. How they predict who will wear what - and when - is the intriguing story of this comprehensive anthology. – Mary Westerman Bulgarella, Co-editor of Colors in Fashion, and Costume Colloquium Advisory Committee Coordinator, Italy/USAFor a field that is obsessed with the future, there is much to be learned from the past, as editors Blaszczyk and Wubs provide an engaging overview of the history of forecasting, giving overdue credit to the industry’s originators. Meticulously researched with excellent first-person accounts, The Fashion Forecasters untangles the web of current forecasting influences and creates a clear vision for its future. – Lorynn R. Divita, Baylor University, USA

Regina Lee Blaszczyk is Leadership Chair in the History of Business and Society and Professor of Business History at the University of Leeds in the UK. She writes about design and innovation for the creative industries. Her books include Imagining Consumers: Design and Innovation from Wedgwood to Corning (2000); Producing Fashion: Commerce, Culture, and Consumers (2008); The Color Revolution (2012); Bright Modernity: Color, Commerce, and Consumers (with Uwe Spiekermann, 2017); Fashionability: Abraham Moon and the Creation of British Cloth for the Global Market(2017); and European Fashion: The Creation of a Global Industry (with Véronique Pouillard, 2018).

Ben Wubs is Professor of International Business History at the Erasmus School of History, Culture and Communication in Rotterdam and an appointed Project Professor at the Graduate School of Economics at Kyoto University in Japan. In terms of research, he is engaged in projects on multinationals, business systems, transnational economic regions, Dutch-German economic relations, and the global fashion industry. His books include International Business and National War Interests: Unilever between Reich and Empire (2008) and (with Ralf Banken) The Rhine: A Transnational Economic History (2017).