Beginners

This fascinating collection contains the original, unedited stories Raymond Carver wrote for what became - at the hands of his editor Gordon Lilsh - What We Talk About When We Talk About LoveWhat We Talk About When We Talk About Love is Carver's most famous collection of short stories and remians one of the most influential pieces of modern literature to date. But the original, unedited manuscript, Beginners - published here for the first time, was almost fifty per cent longer than the published collection. This restored version of Carver's stories reveals what was previously unsaid, filling in the narrative silences that have both inspired and mystified readers for so long.Beginners is a fascinating insight into the aesthetic of a literary great and, in the questions it raises, may just spark off one of the great cultural debates of our times.

“Beginners is unlikely to replace What We Talk About When We Talk About Love . Instead, it will be in dialogue with it, because the story has no end: there will always be afterthoughts”

Beginners is unlikely to replace What We Talk About When We Talk About Love. Instead, it will be in dialogue with it, because the story has no end: there will always be afterthoughts -- Sarah Churchwell Guardian
Hopefully, thanks to Gallagher, every small, vital nuance, every moving observation, each choice of word as Carver wrote it, is there to be seen; that is why Carver cared enough to begin setting it right, and others have now finished the task -- Eileen Battersby Irish Times
An extraordinary book, more generous and rambling in tone than its distilled counterpart -- Tim Adams Observer
The most interesting book of the year Sunday Telegraph
an extraordinary book, and probably the most influential story collection of the past 30 years -- Tim Adams Observer

Raymond Carver was born in Clatskanie, Oregon, in 1938. His first short stories appeared in Esquire during Gordon Lish's tenure as fiction editor in the 1970s. Carver's work began to reach a wider audience with the 1976 publication of Will You Please be Quiet, Please, but it was not until the 1981 publication of What We Talk About When We Talk About Love under Gordon Lish, then at Knopf, that he began to achieve real literary fame. This collection was edited by more than 40 per cent before publication, and Carver dedicated it to his fellow writer and future wife, Tess Gallagher, with the promise that he would one day republish his stories at full length. He went on to write two more collections of stories, Cathedral and Elephant, which moved away from the earlier minimalist style into a new expansiveness, as well as several collections of poetry. He died in 1988, aged fifty.Tess Gallagher (born 1943) is an acclaimed poet, essayist, author and playwright. Her honors include a fellowship from the Guggenheim Foundation, two National Endowment for the Arts awards, and the Maxine Cushing Gray Foundation Award. She met Raymond Carver at a writers' conference in 1978, and the couple were married in 1988, six weeks prior to his death. As his will directed, she assumed the management of his literary estate. She published five Carver stories posthumously in Call If You Need Me, and successfully campaigned for the republishing of What We Talk About When We Talk About Love as Beginners, in their original and intended form.

'An extraordinary book, more generous and rambling in tone than its distilled counterpart' Observer What We Talk About When We Talk About Love is Raymond Carver's most famous collection of short stories and remains one of the most influential pieces of modern literature to date. But the original, unedited manuscript, Beginners - published here for the first time, was almost fifty per cent longer than the published collection. This restored version of Carver's stories reveal what was previously unsaid, filling in the narrative silences that have both inspired and mystified readers for so long. Beginners is a fascinating insight into the aesthetic of a literary great and, in the questions it raises, may just spark off one of the great cultural debates of our times. 'Lish may have helped put Carver on the map of the American short story, but the writer made himself its capital city' Sunday Times ' Long acknowledged as a master, readers and writers have never stopped reading Carver...thanks to Gallagher, every small, vital nuance, every moving observation, each choice of word as Carver wrote it, is there to be seen' Irish Times

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