
A Dog So Small
$28.25
- Paperback
256 pages
- Release Date
22 October 2014
Summary
Ben Blewitt is desperate for a dog. He’s picked out the biggest and best dogs from the books in the library - and he just knows he’s going to get one for his birthday. Ben is excited when the big day arrives, but he receives a picture of a dog instead of a real one! But the imagination can be a powerful thing, and when Ben puts his to work, his adventures really begin!
Book Details
| ISBN-13: | 9780141355191 |
|---|---|
| ISBN-10: | 0141355190 |
| Author: | Philippa Pearce |
| Publisher: | Penguin Random House Children's UK |
| Imprint: | Puffin |
| Format: | Paperback |
| Number of Pages: | 256 |
| Edition: | 50th |
| Release Date: | 22 October 2014 |
| Weight: | 186g |
| Dimensions: | 195mm x 129mm x 17mm |
| Series: | A Puffin Book |
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About The Author
Philippa Pearce
Philippa Pearce: Children’s Author
Philippa Pearce is widely recognized as one of the most significant children’s authors of the twentieth century, celebrated for her classic works such as Tom’s Midnight Garden, Minnow on the Say, and The Battle of Bubble and Squeak. Her writing is acclaimed for its authentic portrayal of childhood, capturing the fears, isolation, and intense emotions experienced by young people.
The Basics
- Born: Great Shelford, Cambridgeshire
- Previous Professions: Civil servant, radio scriptwriter & producer, book editor, reviewer, lecturer
- Current Residence: Great Shelford, Cambridgeshire
- First Book for Young People: Minnow on the Say (1955)
The Books
The youngest of four children of a flour-miller, Philippa Pearce grew up in the Mill House on the upper reaches of the River Cam. Her childhood was filled with outdoor adventures: canoeing, swimming, fishing, and skating on flooded water meadows. She fondly recalls secret explorations of the mill and the games played amongst the sacks of flour.
These vivid childhood memories became the foundation for her writing. During a long period of recovery from TB in a hospital, she drew upon these recollections to create her first novel, Minnow on the Say. The contrast between the stifling hospital room and the cool, adventurous riverbanks of her home inspired her to meticulously recreate her past experiences in vivid detail.
Though Minnow on the Say was her first novel, Pearce had already honed her craft as a radio scriptwriter and producer for the BBC’s Schools Broadcasting. This experience in adapting books for radio gave her a deep understanding of literary techniques and structures, which she found invaluable when she began writing her own fiction.
Her second and most famous book, Tom’s Midnight Garden, also stemmed from her childhood. The sale of the Mill House marked the end of an era for her, and this feeling of loss and transition inspired the story. The novel achieved critical acclaim, earning her the prestigious Carnegie Medal and becoming a twentieth-century classic that continues to captivate readers of all ages.
Scenery and places have consistently fueled Pearce’s imagination. The Way to Sattin Shore, for instance, was inspired by the River Stour estuary in Suffolk.
Pearce’s profound understanding of children is a hallmark of her work. Critics note her ability to see the world through a child’s perspective, connecting with their experiences rather than observing from an adult distance.
The Battle of Bubble and Squeak was inspired by her daughter Sally’s affection for her pet gerbils, with many of the book’s incidents mirroring real-life events involving the family pets.
In addition to her acclaimed novels for older children, Pearce also penned stories for emergent readers. Her background as an editor and her extensive work with the BBC undoubtedly contributed to her keen insight into the abilities and interests of young readers.
Philippa Pearce has lived for many years in Great Shelford, not far from the Mill House of her childhood. She is a Fellow of the Royal Society of Literature and holds an Honorary Doctor of Letters.
What She Says
- “I wrote (Minnow on the Say) with the absolute innocence of never having done it before. I just went straight ahead; it was lovely.”
- “I can get a complete idea for a short story whereas when I have written a long book, I’ve never had a complete idea for the whole thing. I have a theme in my mind and one or two strong scenes and then I begin fumbling my way forward.”
- “I have learned an awful lot from teachers and from children, of course. I like talking to children. I prefer talking to children than adults. Adults are so polite you never know when they are bored or not. Children always yawn if they are bored.”
- “People think how carefree children are. Children just have different cares, and cares particularly which they don’t want to articulate.”
What They Say About Philippa Pearce
- “One of the most outstanding writers of the century.” - Junior Bookshelf
- “Philippa Pearce’s books are outstanding.” - The Guardian
- “Philippa Pearce’s novels are memorable… for their observation and presentation of individual children’s thoughts and feelings, and their sometimes troubled relationships with other people.” - Twentieth Century Children’s Writers
- “Always marvellously accurate about the ways in which adults and children manoeuvre each other, and the ways in which children relate to other children… One of Philippa Pearce’s consistent themes is the extent to which one is involved in family/community life and the extent to which one is detached.” - British Book News
- “Her children are sharp-eyed; they are wise to adult frailty.” - British Book News
- “Even her minor works are sharp with the tang of unmistakable, original, undiluted talent.” - British Book News
- “Shrewdly deals the tensions of family life.” - British Book News (on The Battle of Bubble and Squeak)
- “This collection is a delight and demonstrates nine times over what a skilled story-teller Philippa Pearce is.” - British Book News (on Lion at School & Other Stories)
- “If I were asked to name a single masterpiece of English Children’s Literature since the last war… it would be this astoundingly beautiful and absorbing book.” - John Rowe-Townsend (on Tom’s Midnight Garden)
- “A story that touches our deepest feelings about what is lost and gained in growing up.” - Neil Philip, British Book News (on Tom’s Midnight Garden)
- “Tom’s Midnight Garden has become an undisputed classic of modern children’s literature. It is a story with a magical, haunting atmosphere. It is richly imaginative, with a theme and a message that touches the hearts of all those who read it—that of finding ways to keep good feelings alive despite loneliness and loss, and of the inevitability of time passing and of growing up.” - Books For Keeps
- “One of the finest pieces of writing for children produced since World War II, a classic in the front rank of children’s literature… no author would be likely to write a better book than this.” - Twentieth Century Children’s Writers (on Tom’s Midnight Garden)
- “A wonderful foray into fantasy.” - The Good Book Guide (on Tom’s Midnight Garden)
Awards
- Carnegie Medal 1959 for Tom’s Midnight Garden
- Whitbread Award 1978 for The Battle of Bubble and Squeak
- Runner-up for the Carnegie Medal 1983 for The Way to Sattin Shore
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