Ghostroots

“Wildly inventive and odd, but written with surgeonlike precision, these stories herald the arrival of a major voice in speculative fiction.” – Gabino Iglesias - New York Times Book Review”[A] mesmerizing and unsettling debut collection… Aguda is a precise and exciting prose stylist, and her stories offer vivid insights into tradition, family, and trauma…  [A] smart, playful, and compassionate collection worthy of repeated reads.” – Isle McElroy - New York Magazine“A haunting, dream-like triumph.… I still find myself imagining certain images from her evocative pieces.…This book was absolutely deserving of its status as an NBA fiction finalist.” – Lauren Puckett-Pope - Elle“Aguda stirs her cauldron of social criticism, feminism, structural invention and grotesque gothic twists into a triumph of genre-bending storytelling, a kind of African uncanny all of her own.” – Christian House - Financial Times“Spectacular…. ‘Pemi Aguda reimagines Lagos, Nigeria’s everyday rhythms with a supernatural essence, much like Bora Chung or Mariana Enríquez’ uncanny voices.” – Sam Franzini - Our Culture“There is no right way to move in Aguda’s world. It is a world haunted, burdened—and fascinating, for anyone brave enough to dive into her evocative, eerie stories.” – Leah Rachel von Essen - Chicago Review of Books“’Pemi Aguda plants us among the vanishing markets and shape-shifting houses of a richly imagined Lagos, Nigeria …. Its inhabitants grapple with ancestral ties that often feel too tight or too loose and weigh invitations to believe in miracles or magic. While the ground may shift beneath these stories, the roots within their narratives reach to profound depth.” – One Story“The eerie and the everyday are perfectly aligned in these 12 stories set in the hustle and bustle of modern-day Lagos, as Aguda delights in transforming the domestic into something altogether more sinister.” – Daily Mail”‘In Ghostroots, the delightful speculative conceits of the stories are elegantly, even architecturally, balanced with the gorgeous fullness of human emotion, all the hunger and longing and fear and delight of being a human being in the world. A wonderful collection from a truly gifted writer.” – Lauren Groff, author of The Vaster Wilds“Ghostroots is a triumph. ‘Pemi Aguda’s strong storytelling skills give readers the gift of realistic characters and darkly imaginative stories that creep under your skin and stay buried there… . ’Pemi Aguda is now among my favorite authors.” – Tananarive Due, author of The Reformatory“A marvelously unsettling collection where the everyday strangeness of life and the uncanny rub up against each other.” – Kelly Link, author of White Cat, Black Dog“Ghostroots is a big, strong river. Once you are caught in its currents, you flow with it no matter where it runs. And it runs through gorgeous and startling places.” – Luis Alberto Urrea, author of Good Night, Irene“I loved everything about this book, which heralds a major and extraordinary new voice in fiction… . These stories consumed me. I’ll be thinking about them for years to come.” – Clare Beams, author of The Garden“Ghostroots is the kind of collection you dream of discovering and reading—from one of my favorite living writers.” – Jeff VanderMeer, author of Hummingbird Salamander“In this perceptive and astute collection, ‘Pemi Aguda tells of the metaphysical cracks on the surface of contemporary Nigerian society with an uncompromising, humane touch.” – Emmanuel Iduma, author of I Am Still With You: A Reckoning with Silence, Inheritance, and History“Here you’ll find breathtaking stories of the familiar and the strange, full of empathy for characters trying to bridge chasms between communities, families, generations, and their ghosts. ‘Pemi Aguda builds worlds with blade-like acuity. You’ll be caught in their sway and transported.” – Diane Cook, author of The New Wilderness”[Aguda’s] thought-provoking speculative stories … lay bare the universal experience, illuminating the menace that constantly lurks just below the surface.… With a breadth similar to the critically acclaimed Jackal, Jackal by Tobi Ogundiran, this will also appeal to readers of Eugen Bacon, Lisa Tuttle, and Karen Russell.” – Library Journal

Pemi Aguda is an MFA graduate from the Helen Zell Writers’ Program at the University of Michigan. Her writing has been published in Granta, Ploughshares, Zoetrope, and other publications, and has been awarded the O. Henry Prize for short fiction. She is from Lagos, Nigeria, and is currently living in Philadelphia, Pennsylvania.