
Experiential and Experimental Knowledge on the Early Modern English Stage
$491.40
- Hardcover
272 pages
- Release Date
6 August 2026
Summary
Early modern dramatists entertained audiences by staging experiential and experimental knowledge, especially consequential forms of coming to or arriving at knowledge. The contributors to this collection explore the ways in which the culture’s fascination with forms of knowledge creation—scientific, experiential, religious—shaped early modern drama.
Experiential and Experimental Knowledge on the Early Modern English Stage addresses these issues from phenomenological, politica…
Book Details
| ISBN-13: | 9781399520836 |
|---|---|
| ISBN-10: | 1399520830 |
| Author: | Pavneet Aulakh, James Kearney |
| Publisher: | Edinburgh University Press |
| Imprint: | Edinburgh University Press |
| Format: | Hardcover |
| Number of Pages: | 272 |
| Release Date: | 6 August 2026 |
| Weight: | 0g |
| Dimensions: | 234mm x 156mm |
| Series: | Edinburgh Critical Studies in Renaissance Culture |
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What They're Saying
Critics Review
This collection of essays provides us with a series of fresh and illuminating entry points into the relationship between experience and experiment in the early modern world, and proves beyond any reasonable doubt that the theatre is one of the most illuminating entry points of all. Highly recommended. – Rhodri Lewis, Princeton University
About The Author
Pavneet Aulakh
Pavneet Aulakh is a Senior Lecturer in the Department of English at Vanderbilt University. Primarily positioned at the intersection of seventeenth-century imaginative literature and natural philosophy, he is currently working on his monograph Digesting Bacon in Seventeenth-Century England.
James Kearney is Professor of English at the University of California, Santa Barbara. He is the author of Shakespearean Ethics in Extremity: Phenomenology, Theater, Experience (2025) and The Incarnate Text: Imagining the Book in Reformation England (2010), which won CCL’s Book of the Year Award. With Julia Reinhard Lupton and Lowell Gallagher, he co-edited Entertaining the Idea: Shakespeare, Performance, and Philosophy (2020).
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