Evans’ strikingly large watercolours, (typically they measure over one metre in height or breadth), span two decades from the late 1960s to the late 1980s, evoking a vision that is still surprisingly potent today.
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Summary
Evans’ strikingly large watercolours, (typically they measure over one metre in height or breadth), span two decades from the late 1960s to the late 1980s, evoking a vision that is still surprisingly potent today.
Description
Evans' strikingly large watercolours, (typically they measure over one metre in height or breadth), span two decades from the late 1960s to the late 1980s, evoking a vision that is still surprisingly potent today. David Evans' death in a road accident in 1988, at the age of 59, bought to an abrupt end the career of one of the most distinguished watercolourists of his generation. The recent discovery of pictures remaining in his studio, nearly thirty years after the memorial tribute staged by the Redfern Gallery in 1988, provides the opportunity for a new generation to discover his work, though the publication of this first ever book on David Evans and the accom- panying touring exhibition. Evans' strikingly large watercolours, (typically they measure over one metre in height or breadth), span two decades from the late 1960s to the late 1980s, evoking a vision that is still surprisingly potent today. They have all the period charm of the glam-rock era they so powerfully evoke but at the same time they are highly charged with the political energy of the pe- riod and mirror Thatcher's Britain, with its Industrial unrest, its towns and country undergoing transformation, the Faulklands war and threat of the Evil Empire, the building of nuclear power stations and the dawn of awareness about Climate Change as a political issue. Evans was an ardent campaigner and environmentalist. The landscapes, (a homage to his native Suffolk) are peppered with industrial plants, landfill, scrap heaps, and encroaching roads and army maneuvers. Urban subjects, similar in some ways to the compo- sitions of Lowry, show factory plants, spectators' sports, cafeterias, the interiors of museums, city centers and beach scenes. AUTHORS: Born in Stafford in 1965, Paul Liss is a fine art dealer and exhibition organiser. He joined Sotheby's as a Bursary student prior to working for Hazlitt, Gooden & Fox. He has created numerous catalogues/exhibtions such as Stanley Lewis (Cecil Higgens, 2010), Alan Sorrell (John Soane Museum, 2013) Evelyn Dunbar (Pallant House, 2015), WWI and WWII (Morley Gallery London, 2014 and 2016). He founded Liss Llewellyn Fine Art in 1991. Born in London on 12 February 1946, Pete Gage is a British blues musician. A vocalist, harmonica player and pianist, Gage is best known for fronting the Jet Harris Band and Dr. Feelgood although he has also led his own band, and issued solo albums featuring artists such as Gypie Mayo. He studied graphic design at St Martin's Art College in the 1960s and has an interest in Taoism, Zen Buddhism & other related spiritual teaching. Born on 1 August 1956, Alistair Hicks is a writer and art curator. He was Senior Curator at Deutsche Bank for 20 years and is curently an international curator.Hicks has curated several exhibitions and is author of several publications on contemporary art, including The School of London, New British Art in the Saatchi Collection and The Global Art Compass: New Directions in 21st Century Art, a survey of 21st century art. 160 illustrations
About the Author
Born in Stafford in 1965, Paul Liss is a fine art dealer and exhibition organiser. He joined Sotheby’s as a Bursary student prior to working for Hazlitt, Gooden & Fox. He has created numerous catalogues/exhibtions such as Stanley Lewis (Cecil Higgens, 2010), Alan Sorrell (John Soane Museum, 2013) Evelyn Dunbar (Pallant House, 2015), WWI and WWII (Morley Gallery London, 2014 and 2016). He founded Liss Llewellyn Fine Art in 1991. Born in London on 12 February 1946, Pete Gage is a British blues musician. A vocalist, harmonica player and pianist, Gage is best known for fronting the Jet Harris Band and Dr. Feelgood although he has also led his own band, and issued solo albums featuring artists such as Gypie Mayo. He studied graphic design at St Martin's Art College in the 1960s and has an interest in Taoism, Zen Buddhism & other related spiritual teaching. Born on 1 August 1956, Alistair Hicks is a writer and art curator. He was Senior Curator at Deutsche Bank for 20 years and is curently an international curator.Hicks has curated several exhibitions and is author of several publications on contemporary art, including The School of London, New British Art in the Saatchi Collection and The Global Art Compass: New Directions in 21st Century Art, a survey of 21st century art.
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