Paul Klee was endowed with a rice and many-sided personality that was continually spilling over into forms of expression other than his painting and that made him one of the most extraordinary phenomena of modern European art. These abilities have left their record in the four intimate "Diaries" in which he faithfully recorded the events of his inner and outer life from his ninteenth to his fortieth year. Here, together with recollections of his childhood in Bern, his relations with his family and such friends as Kandinsky, Marc, Macke, and many others, his observations on nature and people, his trips to Italy and Tunisia, and his military service, the read will find Klee's crucial experience with literature and music, as well as many of his essential ideas about his own artistic technique and the creative process.
Paul Klee was endowed with a rice and many-sided personality that was continually spilling over into forms of expression other than his painting and that made him one of the most extraordinary phenomena of modern European art. These abilities have left their record in the four intimate "Diaries" in which he faithfully recorded the events of his inner and outer life from his ninteenth to his fortieth year. Here, together with recollections of his childhood in Bern, his relations with his family and such friends as Kandinsky, Marc, Macke, and many others, his observations on nature and people, his trips to Italy and Tunisia, and his military service, the read will find Klee's crucial experience with literature and music, as well as many of his essential ideas about his own artistic technique and the creative process.
Paul Klee was endowed with a rich and many-sided personality that was continually spilling over into forms of expression other than his painting and that made him one of the most extraordinary phenomena of modern European art. These abilities have left their record in the four intimate Diaries in which he faithfully recorded the events of his inner and outer life from his nineteenth to his fortieth year. Here, together with recollections of his childhood in Bern, his relations with his family and such friends as Kandinsky, Marc, Macke, and many others, his observations on nature and people, his trips to Italy and Tunisia, and his military service, the reader will find Klee's crucial experience with literature and music, as well as many of his essential ideas about his own artistic technique and the creative process.
“"Unlike most artists, Klee was an excellent writer. Between his 19th and 40th years he wrote of the persons and ideas that influenced the development of his artistic imagination-which has been called 'the most fertile in 20th-century art. The Diaries of Paul Klee are incisive, warm and provocative."”
"A remarkable book. . . . For those of us who have long admired this painter but were not fluent enough to read his diaries in German, the present publication comes as a windfall. It demonstrates how closely the artist, the writer, and the man are enmeshed."--"Saturday Review
Paul Klee taught at the Bauhaus School after World War I, and at Dusseldorf Academy (1931), but was dismissed by the Nazis, who termed his work "degenerate." A trip to North Africa in 1914 stimulated Klee to using colors and his work showed a mastery of delicate, dreamlike color harmonies. Klee influenced the budding abstract expressionist movement.
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