John Lydgate's Fall of Princes

The Benedictine monk John Lydgate was the most admired poet of the fifteenth century. He received commissions from some of the most powerful men in the land (including Henry V); he is spoken of with constant admiration; manuscripts of his work are abundant; many of his poems were put into print by England's earliest printers, ensuring that his influence extended well into the sixteenth century. The Fall of Princes, probably the longest poem in the language,is arguably Lydgate's masterwork; yet, until now, it has received only cursory critical attention. This book offers the first extended discussion of the poem.The Fall of Princesaccumulates accounts of nearly 500 figures from mythology and history (biblical, classical, and medieval) who have fallen from their positions of fame and power into obscurity, adversity, or poverty. In presenting these tragedies Lydgate probes the causes of the reversal of their fortunes; how far can the caprice of a blind Lady Fortune be blamed? How far are the protagonists themselves responsible for their undoing? Most pressingly of all, why is it that bad things happen to seemingly innocentpeople? In drawing its conclusions about the downfalls of powerful men and women, Lydgate's poem operates within the popular medieval genre of 'advice to princes' literature.Thisbook locates Lydgate's work within its contexts, exploring the nature of his relationship with the uneasy Lancastrian dynasty during the minority of Henry VI as well as his response to contemporary conflicts between ecclesiastical and secular authority. In particular, this book closely analyses Lydgate's manipulations of his French source text, allowing readers to see in detail for the first time what it is that Lydgate was setting out to achieve. Finally, the book identifies the readership ofLydgate's poem in the fifteenth and sixteenth centuries, discussing its influence on the evolution of narrative tragedy in English.

“"Mortimer's astute close readings effectively present Lydgate'sFallas 'a rich and rewarding text, the product of an accomplished, shrewd, and forthright poet operating a the height of his powers.' His analyses of this complext poem are accompanied by a host of useful tables, charting, manuscripts and their owners. Those wishing to study theFallfor themselves will appreciate his appendix listing corresponding lines in Lydgate and in his Latin and French sources. As the first sustained, sympathetic treatment of Lydgate's magnum opus, Mortimer's monograph will be welcomed by the 'new and open-minded audience' it addresses and will, I am sure, further the Lydgate renaissance that is under way."--Karen A. Winstead,Speculum”

...astute close readings... Mortimer's monograph will be welcomed by the "new and open-minded audience" it addresses and will, I am sure, futher the Lydgate renaissance that is under way. Karen A. Winstead, Speculum a study that will be inestimably valuable...From start to finish, Mortimer's book is useful to the reader; it sets out not only to advance theses about the poem but also to enable and encourage future work. Such scholarly generosity makes this book essential reading for medievalists and Renaissance critics alike. Mortimer's evidence-led approach is impressive and convincing... Medium AEvum Mortimer's work represents a tremendous contribution to fifteenth-century studies. His careful scholarship and his treatment of such a wide variety of themes render his book essential reading for new and established Lydgate scholars alike, but it is above all his open and charitable attitude toward his subject - so unusual in much of Lydgate scholarship - which brings the monk and his text to life for the reader. For all those wishing to familiarize themselves with the origins, contexts, and influences of Lydgate's Fall of Princes, Mortimer's study is the place to start. Mary Flannery, Notes and Queries The array of information Mortimer brings together in this volume, as well as its thoroughgoing dependability, makes it an indispensible resource for all future scholarship on the poem...the volume's rigorous scholarship and extensive research findings make it an essential resource. Journal of English and Germanic Philology

Nigel Mortimer took his undergraduate degree (in English Language and Literature) and doctorate from Lady Margaret Hall, Oxford; he won the Violet Vaughan Morgan prize for English Literature as an undergraduate in 1987 and was an academic scholar in English Literature as both an undergraduate and graduate student. He has taught Old and Middle English at undergraduate level in Oxford and is currently an assistant master at Eton College.

The Benedictine monk John Lydgate was the most admired poet of the fifteenth century. He received commissions from some of the most powerful men in the land (including Henry V); he is spoken of with constant admiration; manuscripts of his work are abundant; many of his poems were put into print by England's earliest printers, ensuring that his influence extended well into the sixteenth century. The Fall of Princes, probably the longest poem in the language, is arguably Lydgate's masterwork; yet, until now, it has received only cursory critical attention. This book offers the first extended discussion of the poem.The Fall of Princes accumulates accounts of nearly 500 figures from mythology and history (biblical, classical, and medieval) who have fallen from their positions of fame and power into obscurity, adversity, or poverty. In presenting these tragedies Lydgate probes the causes of the reversal of their fortunes; how far can the caprice of a blind Lady Fortune be blamed? How far are the protagonists themselves responsible for their undoing? Most pressingly of all, why is it that bad things happen to seemingly innocent people? In drawing its conclusions about the downfalls of powerful men and women, Lydgate's poem operates within the popular medieval genre of 'advice to princes' literature.This book locates Lydgate's work within its contexts, exploring the nature of his relationship with the uneasy Lancastrian dynasty during the minority of Henry VI as well as his response to contemporary conflicts between ecclesiastical and secular authority. In particular, this book closely analyses Lydgate's manipulations of his French source text, allowing readers to see in detail for the first time what it is that Lydgate was setting out to achieve. Finally, the book identifies the readership of Lydgate's poem in the fifteenth and sixteenth centuries, discussing its influence on the evolution of narrative tragedy in English.

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