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Contemporary British Fiction

Author: Nick Bentley   Series: Edinburgh Critical Guides to Literature

Introduces major novelists and themes in British fiction from1975 to 2005

This Edinburgh Critical Guide provides an introduction to the major novelists and the main themes in narrative fiction over the last 30 years.

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Summary

Introduces major novelists and themes in British fiction from1975 to 2005

This Edinburgh Critical Guide provides an introduction to the major novelists and the main themes in narrative fiction over the last 30 years.

Read more

Description

This critical guide introduces major novelists and themes in British fiction from1975 to 2005. It engages with concepts such as postmodernism, feminism,gender and the postcolonial, and examines the place of fiction within broaderdebates in contemporary culture.A comprehensive Introduction provides a historical context for the study ofcontemporary British fiction by detailing significant social, political and culturalevents. This is followed by five chapters organised around the core themes:(1) Narrative Forms, (2) Contemporary Ethnicities, (3) Gender and Sexuality,(4) History, Memory and Writing, and (5) Narratives of Cultural Space.Key Features Introduces the major themes and trends in British fiction over the last 30 years Analyses a range of writers and texts including Brick Lane by Monica Ali,London Fields by Martin Amis, The Passion of New Eve by Angela Carter,Fever Pitch by Nick Hornby, The Buddha of Suburbia by Hanif Kureishi,Atonement by Ian McEwan, Shame by Salman Rushdie, Downriver by IainSinclair, White Teeth by Zadie Smith, and Oranges Are Not the Only Fruit byJeanette Winterson. Presents a variety of critical perspectives essential for studying contemporaryBritish fiction Provides essential resources for further reading and research

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About the Author

Nick Bentley lectures in English literature at Keele University. His main research interests are in post-1945 British fiction and literary and cultural theory. He is author of Radical Fictions: The English Novel in the 1950s (Peter Lang, 2007) and editor of British Fiction of the 1990s (Routledge, 2005). He has published journal articles on Julian Barnes, Zadie Smith, Colin MacInnes, Sam Selvon, and the representations of youth in British New Left writing.

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Back Cover

This series provides accessible yet provocative introductions to a wide range of literatures. The volumes will initiate and deepen the reader's understanding of key literary movements, periods and genres, and consider debates that inform the past, present and future of literary study. Resources such as glossaries of key terms and details of archives and internet sites are also provided, making each volume a comprehensive critical guide.This critical guide introduces major novelists and themes in British fiction from1975 to 2005. It engages with concepts such as postmodernism, feminism,gender and the postcolonial, and examines the place of fiction within broaderdebates in contemporary culture.A comprehensive Introduction provides a historical context for the study ofcontemporary British fiction by detailing significant social, political and culturalevents. This is followed by five chapters organised around the core themes:Narrative Forms; Contemporary Ethnicities; Gender and Sexuality;History, Memory and Writing; and Narratives of Cultural Space.Key Featureso Introduces the major themes and trends in British fiction over the last 30 yearso Analyses a range of writers and texts including Brick Lane by Monica Ali,London Fields by Martin Amis, The Passion of New Eve by Angela Carter,Fever Pitch by Nick Hornby, The Buddha of Suburbia by Hanif Kureishi,Atonement by Ian McEwan, Shame by Salman Rushdie, Downriver by IainSinclair, White Teeth by Zadie Smith, and Oranges Are Not the Only Fruit byJeanette Wintersono Presents a variety of critical and cultural perspectives essential for studying contemporaryBritish fictiono Provides essential resources for further reading and researchNick Bentley is Lecturer in Twentieth-Century Literature at Keele University. Heis the author of Radical Fictions: The British Novel in the 1950s (2007) and editorof British Fiction of the 1990s (2005).

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More on this Book

This critical guide introduces major novelists and themes in British fiction from1975 to 2005. It engages with concepts such as postmodernism, feminism,gender and the postcolonial, and examines the place of fiction within broaderdebates in contemporary culture.A comprehensive Introduction provides a historical context for the study ofcontemporary British fiction by detailing significant social, political and culturalevents. This is followed by five chapters organised around the core themes:(1) Narrative Forms, (2) Contemporary Ethnicities, (3) Gender and Sexuality,(4) History, Memory and Writing, and (5) Narratives of Cultural Space.Key Features Introduces the major themes and trends in British fiction over the last 30 years Analyses a range of writers and texts including Brick Lane by Monica Ali,London Fields by Martin Amis, The Passion of New Eve by Angela Carter,Fever Pitch by Nick Hornby, The Buddha of Suburbia by Hanif Kureishi,Atonement by Ian McEwan, Shame by Salman Rushdie, Downriver by IainSinclair, White Teeth by Zadie Smith, and Oranges Are Not the Only Fruit byJeanette Winterson. Presents a variety of critical perspectives essential for studying contemporaryBritish fiction Provides essential resources for further reading and research

Read more

Product Details

Publisher
Edinburgh University Press
Published
27th August 2008
Pages
264
ISBN
9780748624201

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