Bad Taste

Nathalie Olah is one of the sharpest social critics of the post-crash era and Bad Taste doesn’t disappoint. At once vulnerable and biting, Olah lays bare the ways in which “culture war” is submerged and prettified class war. – Sarah Jaffe, author of WORK WON’T LOVE YOU BACKThis is a timely book, written in prose that just slips past you, in an informed and conversational manner … I enjoyed Bad Taste immensely. – Sheena Patel * The Standard *Bad Taste is a searing polemic about the ways that money, power and social class shape our lives. But Olah is just as sharp when it comes to critiquing aesthetic trends, and the book is also a witty, erudite and engaging history of food, fashion, interior design and other forms of visual culture. Like much of the best political writing, it makes complex ideas accessible without ever dumbing them down. – James Greig, editor at DAZEDNathalie Olah is one of the most interesting, creative and vital critical minds of her generation. Bad Taste is a gorgeous dissection of the culture we live in. – Camilla Grudova, author of CHILDREN OF PARADISEBad Taste is a funny, punchy, kaleidoscopic page-turner that pulls at the tangled threads of class, commerce and culture until they start to unspool, and then just keeps yanking. * The Skinny *[Bad Taste has] really changed how I think about so much of what I considered every day, trivial and yet innately accepted parts of culture … An incredibly lucid view of a confused world. – Tom UsherI can’t praise Bad Taste by Nathalie Olah enough … – Keiran GoddardOlah is Britain’s foremost culture writer. – Vicky Spratt, author of TENANTSProvocative, vital and rigorously argued … Bad Taste deftly moves between aesthetics and politics, the playful and the polemical, with a nuanced attention to power and meaning in everything from a fake Renoir painting to Frasier Crane’s fluffy hair … I finished Bad Taste with a sense of joy and possibility. – Rebecca Birrell, author of THIS DARK COUNTRYA terrifically clear sighted and often very funny interrogation of the oddities of ‘taste’ and its political implications. – Francisco Garcia, author of WE ALL GO INTO THE DARKOlah proves an astute and acidic commentator. – Richard Godwin * Guardian *Olah’s scrupulous gaze is diverse as she demonstrates that taste is more than choosing maximalism over minimalism; it is used as a marker of morality, of class and of status … reading this book will shift your perspective, as Olah forces us to reckon with the truth behind the nuances of our decision-making. * The Big Issue *Olah is an astute critic and researcher, and her book is testament to this. – Alice Brewer * Review31 *Zingy arguments delivered in a punchy style … – Brendan Daly * Irish Times *A deeply researched work of cultural criticism, Olah’s book acts as a moving call to break free from the tyranny of the dominant taste. * The Nation *An essential, ground breaking work. I don’t think anything else published this decade has managed to so acutely identify the subtle yet devastating class disjunctions of the 21st Century. It’s the book I’ve most often recommended this year. – Johny Pitts, author of AFROPEAN

Nathalie Olah is a writer and cultural critic whose work is published by ArtReview, The Guardian, Tribune, Tate Etc., Jacobin and the TLS, among others. She holds a BA in English Literature from Oxford and an MA in Postcolonial Studies from the University of Sussex. Currently based between London and Paris, she has also lived in Germany and the Netherlands. She credits her time in the latter, working for research organisations challenging the international courts, with shaping her politics, and in particular, witnessing the humiliation of the Greek people by EU bureaucrats during the debt crisis of 2015.