The Furrows

Serpell is a terrific destabiliser, even at the level of the sentence… There are no tidy moral lessons at the end of her dissonant and time-contorting fable - no bones to bury, no truth to pin, no mysteries solved - only the inescapable rhythms of loss – Beejay Silcox * The Guardian *A masterfully intelligent and many-sided book * The Telegraph *The Furrows…confirms Serpell’s place as one of the most innovative and intelligent writers today * Financial Times *In Namwali Serpell’s hands, grief is a kind of possession. The Furrows is a piercing, sharply written novel about the conjuring power of loss – Raven Leilani, author of LusterMasterful: a blend of self-knowing, sincere and spry… Serpell’s sentences are unhurried, yet detailed, smart and brisk * Sunday Telegraph *Namwali Serpell’s deep unity of imagery and voice is at the employ of a wild talent for narrative pivot and surprise; what seems at first a meditation on family trauma unfolds through the urgency of an amnesiac puzzle-thriller, then a violently compelling love story. The final pages take flight with visionary intensity. The Furrows is a genuine tour de force – Jonathan Lethem, author of The ArrestWho could have imagined that a novel about loss and long grieving could be so soaring, so sexy, so luminously beautiful and poetic, such a rich and shimmeringly scored piece for three voices?… We are lucky to have this alive, exhilarating novel remind us how inexhaustible and surprising the form is and continues to be – Neel Mukherjee, author of The Lives of OthersWhat makes The Furrows so thrilling is its ability to constantly surprise and keep us on the edge of our seats. But its real brilliance rests in Namwali Serpell’s bold and audacious refusal to allow the complicated layers of guilt and grief to remain unexplored. In this spectacular and genre-bending book, she has permanently shifted the ground beneath us, and where we stand by the end is in a new place where mourning and longing and sensuality not only exist at once, but transform into something revelatory, and perhaps even healing – Maaza Mengiste, author of The Shadow KingThe furrows of grief, in Namwali Serpells’s telling, are a surreal and hypnotic fantasy. This book reads like a ghost story, a murder mystery, a thriller, a redemptive love story that never loses its knife edge of danger. A daring and masterful book about how we respond to the mystery of death – Kiran Desai, author of The Inheritance of LossNamwali Serpell has written a stunning and highly original novel exploring the erotic shadow-life of grief. In Serpell’s hands, longing becomes a story of uncanny repetition, and the logic of dreams feels intensely, compellingly real – Isabella Hammad, author of The Parisian

Namwali Serpell was born in Lusaka and lives in New York. She has received a 2020 Windham-Campbell Prize for fiction, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers’ Award. Her debut novel, The Old Drift, won the Anisfield-Wolf Book Award for fiction, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times’ Art Seidenbaum Award for First Fiction; it was named one of the 100 Notable Books of 2019 by the New York Times Book Review and one of Time Magazine’s 100 Must-Read Books of the Year. Her nonfiction book, Stranger Faces, was a finalist for a National Book Critics Circle Award for criticism. Her short story, ‘Take It’, was a finalist for the 2020 Sunday Times Audible Short Story Award. She is a Professor of English at Harvard.

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