This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date. Teo probes Wong's cinematic and literary influences - from Martin Scorsese to Haruki Murakami - yet shows how Wong transcends them all.
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Summary
This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date. Teo probes Wong's cinematic and literary influences - from Martin Scorsese to Haruki Murakami - yet shows how Wong transcends them all.
Description
This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date. Teo probes Wong's cinematic and literary influences - from Martin Scorsese to Haruki Murakami - yet shows how Wong transcends them all.
About the Author
Stephen Teo is associate professor at the Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. He is the author of several books, including Hong Kong Cinema: The Extra Dimensions (1997), Chinese Martial Arts Cinema: The Wuxia Tradition (2009), and Eastern Approaches to Western Film: Asian Reception and Aesthetics in Cinema (2019).
Back Cover
This, the first book-length study of Hong Kong cult director Wong Kar-wai, provides an overview of his career and in-depth analyses of his seven feature films to date. The study also takes an intriguing look at Wong's commercials for the likes of Motorola, BMW, and Lacoste and at his music vide for DJ Shadow. Stephen Teo probes Wong's cinematic and literary influences - from Martin Scorsese and Alfred Hitchcock to Manuel Puig and Haruki Murakami - yet shows how Wong transcends them all. This comprehensive and thoroughly accessible study confirms Wong's position as the star of the Hong Kong-global nexus and as a postmodern exemplar of world cinema.
This, the first book-length study of Hong Kong cult director Wong Kar-wai, provides an overview of his career and in-depth analyses of his seven feature films to date. The study also takes an intriguing look at Wong's commercials for the likes of Motorola, BMW, and Lacoste and at his music video for DJ Shadow. Stephen Teo probes Wong's cinematic and literary influences--from Martin Scorsese and Alfred Hitchcock to Manuel Puig and Haruki Murakami--yet shows how Wong transcends them all. This comprehensive and thoroughly accessible study confirms Wong's position as the star of the Hong Kong-global nexus and as a postmodern exemplar of world cinema.
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