A dark and funny whodunnit from writer Molly Davies – developed collaboratively over five years by Access All Areas’ learning disabled and autistic Associate Artists – which dives playfully into navigating barriers, neurodiversity and the power of sharing a platform.
A play developed over 5 years, a playful account of barrier navigation, the politics of neurodiversity and the power of sharing a platform.
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PRODUCT INFORMATION
Summary
A dark and funny whodunnit from writer Molly Davies – developed collaboratively over five years by Access All Areas’ learning disabled and autistic Associate Artists – which dives playfully into navigating barriers, neurodiversity and the power of sharing a platform.
A play developed over 5 years, a playful account of barrier navigation, the politics of neurodiversity and the power of sharing a platform.
Description
We need to start at the start.Yes, yes, we do or the Neurotypicals will be confused.There was something off about the new guy. But now he’s dead, and the sirens are fast approaching. Who to trust – what was it he told you that time on the pedalo?Seven friends are in the frame for murder and the police are closing in. They must clear their name and in order to do so, they’ve enlisted the most unlikely of help. This funny, dark whodunnit will take you on an unexpected journey; with jokes, sex, songs, crimes, plot twists and a comeuppance.Developed collaboratively over 5 years by Access All Areas’ learning disabled and autistic Associate Artists: Kirsty Adams, Cian Binchy, Housni Hassan (DJ), Dayo Koleosho, Stephanie Newman, Lee Phillips and Charlene Salter alongside writer, Molly Davies and director, Hamish Pirie, Imposter 22 is a playful account of navigating barriers, neurodiversity and the power of sharing a platform.This edition was published to coincide with the premiere at London's Royal Court Theatre in September 2023.
About the Author
Molly Davies, born in Norfolk, won the Westminster Prize for her ten-minute play No Fairy Stories (Soho Theatre). For young audiences, she has written Day One (National Youth Theatre), The Best Team Since the A Team (Southwark Playhouse) and My Days (Soho/Company of Angels). She is a graduate of the Royal Court Young Writers Programme and A Miracle was her first full-length play. Molly won the 2015 Harold Pinter Playwriting award for her play God Bless The Child.
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